Angel: A sketch in Indian inkCroker, B. M. (Bithia Mary)
History
Angel: A sketch in Indian ink
Croker, B. M. (Bithia Mary)
British -- India -- Fiction; India -- History -- British occupation, 1765-1947 -- Fiction
"The road was _nil_—in places it had slipped a hundred feet. We just
crawled along the precipices inch by inch, clinging on to roots and
branches, tooth and nail."
"I must say it was very plucky of you to come."
"Oh, I did not mind a bit," said Angel carelessly. "And so your home is
in Marwar?"
"Yes; I'm only up here on duty. There are several people you know in
Marwar."
"Really?" raising her perfectly pencilled brows.
"Mrs. Gordon, for instance."
"Yes, to whom you presented my tea-cosy. I shall certainly take it
back. Wasn't she a pretty dark-eyed woman, with a horrid old bearish
husband?"
"What a memory you have!" he exclaimed. "And there is Shafto."
"Who always hated me," making room for the bearer to remove the cloth;
"you cannot deny that." When the bearer had departed she put her elbows
on the table, and, confronting her companion, said:
"Cousin Philip, I try to speak the truth to you—and I'll speak
it now. I see that in rushing out here to you I've acted on a mad
impulse—worse, perhaps, than cutting up Mrs. Dawson's dresses. I
don't stop to think; I act; when I shop, I buy what I want, and—think
afterwards if I can afford it. I never count the cost." She paused for
breath. "I did not leave grandmamma without good-bye. I walked into her
room when she was going to bed. I wanted to catch the night _rapide to_
Marseilles, and said: 'I've come to say good-bye—as I'm off.' 'Where
to?' she screamed. 'India,' I replied. I won't repeat what she said,
but—well, she prophesied evil things. Her prophecy will not come true.
I am resolved to be prudent, and obedient. I will do whatever you
wish, but oh! cousin Phil," stretching out her pretty hands, "please
don't send me home—oh, please don't!"
"Very well, then, I won't," he replied, little knowing that he had thus
sealed his fate; but, thanks to the sorceress, he was in a condition of
mind in which to-day blotted out to-morrow.
It was an extraordinary experience. Would he awake and find he had been
dreaming? or was he really sitting _tête-à-tête_ in this lonely spot,
with the most bewitching girl he had ever seen? As he sat endeavouring
to focus his somewhat slow ideas—perhaps he was too reflective to
be quite good company—Angela rose and began to walk about the room,
critically inspecting the contents.
"I always made very free with your belongings, and your house," she
said, "and"—with a laugh—"your horse. I see several little things
that I remember so well," and she touched them as she spoke. "This
old battered blotter and ink-bottle, and the frame with your mother's
likeness—how sweet she looks." She took up the faded photograph, gazed
at it for a long time, kissed it, and put it down very gently. "I see
you have a lot of books—um—um-um—Fortifications—Mathematics—how
dry! except 'Soldiers Three' and 'Vanity Fair.' I love 'Vanity Fair,'
and, do you know," turning about with the volume in her hand, "I was
always a little sorry for Becky."
Public-domain text, read in full here on John Shaqi.
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