"Well, no," said Mrs. Wing, and fussed with books on the table. "That
has been the great problem, of course. Dr. Flower's death has
complicated the situation sadly. I believe the present plan is for
Wallace--the boy, you know--to come back and live with her--just for the
next few months, while Donald and Angela are finding themselves."
Charles stood without a word. But perhaps his look betrayed what he
felt, for Mrs. Wing threw out her hands with a helpless gesture, and
cried: "Well, he is the man of the family now!"
"However," she added, turning away, "perhaps Mary will be able to hit
upon some other arrangement. That is what she went there for--to talk
the whole situation over with Angela."
But Charles, who had always thought of Angela as "soft" and Mary as
"hard," seemed somehow quite certain that that talk had accomplished
nothing. With brief speech, he moved toward the door. Doubtless struck
with the fixed gravity of his look, Mary's mother, who had been an
old-fashioned girl herself once, said with an effort, and yet firmly
too:--
"It is life itself that is hard. Marriage means--readjustment. That is
the only comment to make."
It was precisely the point on which the silent young man did not agree
with her. To him, as to her, all the sharp force of this tidings was,
indeed, in Mary's new overthrow. And yet for the moment there seemed to
be room in him for nothing else but comments on the vast void in Mary's
so different cousin.
Angela was wanting in the responsible qualities of a full-grown human
being. Her fatal lack was in human worth. It was the sum of all he had
thought about her since the day he had called upon her poor father. It
was the cap and climax of all he meant to say about her in his New
Novel.
So Charles took his leave with an abstracted face.
In the drawer of the Studio table, there was growing now, night by
night, a fresh stack of manuscript, steady and firm upon a new Line.
Mary Wing had straightened out this Line for Charles: Mary who had
taught him once and for all that a woman could be finely independent,
and still uphold the interdependence which held the world together. Yet
Mary, the admirable, was after all but his "contrast" and his foil: it
was for the peculiarities of her opposite that he had finally whetted
his pencil. And, in the intense and retrospective thinking which went
along with the best writing he had ever yet done, the young man
considered that he had got to the bottom of Angela's case, and her
sisters', quite thoroughly explored the souls of the Waiting Women of
Romance.
Public-domain text, read in full here on John Shaqi.
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