If life had been real and bright and turbulent around her, and she sat
within and polished her pink nails, it was because she was a woman. If
she was given no education beyond the demands of provincial parlor-talk,
no training for her hands, no occupation for her head, if no one ever
thought of her as a full-statured being who must pay her way in
substantial coin; this, again, was because she was a woman, and a woman
(if any one bothered with argument at all) some day might--or might
not--be the mother of children. Surely it had not been Angela's fault if
she was early apprised, though through a sweet mist, that she had but
one faculty of any value in the world's market; not her fault if, amid
general approval, she innocently spent her youth and idleness in
tricking out her value, and bringing it steadily to the attention of the
only beings who could have a use for it. Least of all was it her fault
if her peculiar business, and her odd specialized training, were
bounded, not by marriage, but only by a wedding-day. For the final
unnaturalness, the crowning wrong in her situation was exactly this:
that, being told that she must be a wife or nothing, she was
coincidently told that being a wife was a matter which a nice girl did
well to know nothing about....
The author, sharpening his phrases, walked in angry abstraction. He
passed old acquaintances as if he had never seen them before....
Oh, it was true (he conceded), a thousand times true, that many women of
this crude bringing-up did develop, when their time came, a splendid
competence over all their special field. But it was a little too much to
assume that every creature in the female form could be counted on to
perform such a feat of pure character. And Romance, which gallantly or
indifferently made these exact assumptions, defending and cherishing the
queer but comfortable orientalization with the cloak of false
"womanliness," scarcely pretended to believe its own agreeable fictions.
Public-domain text, read in full here on John Shaqi.
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