He went out blithe upon his duty. After an interval, the adoring voice
of Mrs. Herman floated up, beseeching him to put on his ar'tics.
At the Studio table Charles sat, struggling to get down to work. He had
put away The Record, put away embittered thoughts. But he did not get
down to work with much success all the same, the reason being that his
great Subject, unluckily, was no longer clear in his mind.
From the table-drawer he had produced a stack of manuscript, an inch
high; and now he sat, not reading it, but merely disapproving it _en
masse_. The stack was his premature effort to begin, really to begin his
new novel--six chapters of the new novel written, fifteen thousand
words. Launching upon this draft an hour after he finished Mary the
Freewoman, he had pushed on, night after night, at first with confident
rapidity. Latterly, he had become conscious of an increasing sense of
resistance. And now he knew that all this was mere waste stuff,
accomplishing nothing but to show him what not to write.
Well, but what to write then? What did he really want to say? It was
absurd; but he did not know. It really seemed that he saw too much to
settle, with enthusiasm, upon anything. By constant accessions of fresh
understanding, his centre of balance, his novel's chief prerequisite,
was kept in a continuous state of flux....
Of "material" on the Unrest, Charles possessed a superfluity; of
"plots," of "significant characters" and "illustrative incidents," his
head was fuller than his pencil would ever write. His problem, of
course, had always been for the fixed point of view and the moral
"line." No longer could he be satisfied with that crude, simple line
which had contented him in his first book, which still contented the
other fellows: the line which "proved," as _Lily Stender_ proved, that
economic independence was the automatic salvation of women. He knew that
wasn't the whole story now. As for writing a book to show that Woman's
Place was the Home, of course that had never crossed his mind, even when
most strongly gripped by conservative reactions. His quest was for a
framework which should develop conflicting values on a far finer scale.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account