Nothing is more characteristic of the young of intelligent animals than
the variety and persistency of their behaviour, their sensitiveness
to stimuli of many different kinds, their restlessness of swiftly
changing attention and response, with occasional pauses of continued
effort in some special direction. Constantly on the alert, they exhibit
in all its shifting phases behaviour which we interpret as indicating
curiosity, inquisitiveness, love of mischief, destructiveness, and so
forth. The facts are so familiar to every observer of young animals
that it is unnecessary to give any detailed illustration. Watch
a kitten in this stage of its development and carefully note its
behaviour during half an hour; the variety of effort, the _rôles_
played by trial, failure, and success, the gain of skill and control
over behaviour, will at once be evident. Or devote an equal space of
time to observing young jays, magpies, or jackdaws. Every projecting
piece of wire or bit of wood in their cage is pulled at this way and
that way, from above, from below, from the side. Now one, then another,
loose object is picked up and dropped, turned over, carried about,
pulled at, hammered at, stuffed into this corner and into that, and
experimented with in all possible ways. Then the wise bird goes to
sleep, and wakes up again only to resume with new zest its persistent
and varied efforts, by which it becomes acquainted with all the details
of its environment. Watch young birds on the wing gaining their
mastery of the air in flight, young seals tumbling in the water, young
foals scampering and kicking up their heels in the meadows. A little
observation, as occasion serves, a little attention to the progress
towards an adequate experience of the meaning of things, towards
more complete control, and increased nicety of behaviour, whether in
reference to their surroundings, or in powers of finished locomotion,
will serve to bring home what Professor Groos includes under
experimentation and movement plays. He regards it all as play, since it
seems to have no serious end, and is just a preparation for the sterner
realities of adult life. And for human beings, whose work is so largely
enforced, the freedom and evident joy of it all suggests the play which
has acquired for us the meaning of relaxation from irksome effort, and
glad abandonment to less constrained modes of behaviour. But in young
animals such play is, after all, the serious business of their time of
life. Its import for their future welfare can scarcely be overestimated.
Public-domain text, read in full here on John Shaqi.
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