Darwin describes how, in the Argus pheasant,[139] “the immensely developed secondary wing-feathers are confined to the male, and each is ornamented with a row of from twenty to twenty-three ocelli, each above an inch in diameter. These beautiful ornaments are hidden until the male shows himself before the female. He then erects his tail, and expands his wing-feathers into a great, almost upright, circular fan or shield, which is carried in front of the body. The ocelli are so shaded that, as the Duke of Argyll remarks, they stand out like balls lying loosely within sockets. But when I looked at a specimen in the British Museum, which is mounted with the wings expanded and trailing downward, I was,” adds Darwin, “greatly disappointed, for the ocelli appeared flat or even concave. Mr. Gould, however, soon made the case clear to me, for he held the feathers erect, in the position in which they would naturally be displayed, and now, from the light shining on them from above, each ocellus at once resembled the ornament called a ball and socket.” The primary wing-feathers are scarcely, if at all, inferior in beauty to the secondaries, though the markings are quite different, the chief ornament being a space parallel to the dark-blue shaft, which in outline forms a perfect second feather lying within the true feather. “Now the secondary and primary wing-feathers are not at all displayed, and the ball and socket ornaments are not exhibited in full perfection, until the male assumes the attitude of courtship.” It is unnecessary to describe the song of birds which is generally, but not always, at its best during the period of pairing. Bechstein, who kept birds during his whole life, and studied them with care, asserts that “the female canary always chooses the best singer, and that in a state of nature the female finch selects that male out of a hundred whose notes please her most.”[140]