To come to closer quarters with the relationship which holds good
between the external and internal elements, it appears that, when the
stimulus evokes or intensifies the want or need, this is probably
effected by efferent waves which call the organs or parts into tonic
action, of which the animal becomes conscious through the afferent
messages which come in from them to the sensory centres; in much the
same way as the whiff from the kitchen takes effect on the salivary
and other glands, and throws the organs of digestion into a felt
preparedness for the fulfilment of their functions. But it may have
other and more indirect consequences. When the moor-hen dived to escape
from the obtrusive puppy, his heart-beat was probably affected; he
had, perhaps, an uncomfortable sinking in his gizzard; his breathing
was short and laboured; and he experienced creepy sensations in the
skin and around the feather-roots. Such we may suppose were the
accompaniments or sources of the emotional state of fear or alarm. And
they presumably entered with no little vividness into the conscious
situation at the moment of instinctive action. In all those cases in
which the behaviour is associated with such an emotional state as anger
or fear, the external stimulus seems to produce widely-spread effects
on the glands, respiratory organs, heart and blood-vessels, skin and
other parts, as well as the more direct response in productive action.
And all this must enter into the conscious situation, contributing
largely, as we shall hereafter see, to the emotions in their
instinctive origin.
Enough has now been said to indicate with sufficient clearness the
kind of co-operation and mutual relationship which subsists between
the external and the internal factors in the conscious situation which
leads to instinctive behaviour. We have seen that, not improbably, some
organic prompting is always present in greater or less degree. But the
question still remains whether anything like a definite and particular
external stimulus is in all cases a necessary factor.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account