Animal Locomotion; or, walking, swimming, and flying: With a dissertation on aëronauticsPettigrew, James Bell
Science
Animal Locomotion; or, walking, swimming, and flying: With a dissertation on aëronautics
Pettigrew, James Bell
Aeronautics; Animal locomotion
At the beginning of the stroke from right to left, the angle made by
the under surface of the wing with the horizon (_x x´_) is something
like 45° (_p_), whereas at the middle of the stroke it is reduced
to 20° or 25° (_q_). At the end of the stroke the angle gradually
increases to 45° (_b_), then to 90° (c), after which the wing suddenly
turns a somersault (_d_), and reverses precisely as the natural wing
does at _e_, _f_, _g_ of figs. 67 and 69, p. 141. The artificial
wing reverses with amazing facility, and in the most natural manner
possible. The angles made by its under surface with the horizon depend
chiefly upon the speed with which the wing is urged at different stages
of the stroke; the angle always decreasing as the speed increases, and
_vice versâ_. As a consequence, the angle is greatest when the speed is
least.
When the wing reaches the point _b_ its speed is much less than it was
at _q_. The wing is, in fact, preparing to reverse. At _c_ the wing is
in the act of reversing (compare _c_ of figs. 84 and 85, p. 160), and,
as a consequence, its speed is at a minimum, and the angle which it
makes with the horizon at a maximum. At _d_ the wing is reversed, its
speed being increased, and the angle which it makes with the horizon
diminished. Between the letters _d_ and _u_ the wing darts suddenly
up like a kite, and at _u_ it is in a position to commence the stroke
from left to right, as indicated at _u_ of fig. 128, p. 250. The course
described and the angles made by the wing with the horizon during the
stroke from left to right are represented at fig. 128 (compare with
figs. 68 and 70, p. 141). The stroke from left to right is in every
respect the converse of the stroke from right to left, so that a
separate description is unnecessary.
Public-domain text, read in full here on John Shaqi.
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