"Nothin’, Marse Langdon, ’cep’ dem rapscallions kept me awake, an’ I
heard you stormin’ out at um. I tol’ yo’ pa, Marse Langdon, ef dey was
any mo’ night carouses while he was gone I’d let ’im know, but I ain’t
gwine mention dis, kase I done see how hard you tried to oust dat low
white trash widout a row. You acted de plumb gentleman, Marse Langdon.
Is de anything I kin do fer you, Marse Langdon?"
"No, Aunt Maria." Chester’s tone betrayed impatience even with the
consideration of the faithful servant. "No, I don’t want a thing. I’m
going to bed. I’ve got a headache. If any one should call to-night,
which is not likely at this hour, send them away. I sha’n’t get up."
Ann was now fearful lest in turning he would discover her presence
before the negro had withdrawn, and, seeing her opportunity while his
attention was still on the road, from which the trotting of the
departing horses came in a steady beat of hoofs, she noiselessly glided
into the big hall through the open door and stood against a wall in the
darkness.
"Now, I reckon, they will let me alone!" she heard Chester say, as he
came into the hall and turned into the parlor. The next instant he had
blown out the tall prismed lamp, lowered a window, and come out to close
and lock the front door.
His hand was on the big brass handle when, in a calm voice, Ann
addressed him:
"I want a word with you, Mr. Chester," she said, and she moved towards
him, the revolver hanging at her side.
She heard him gasp, and he stood as if paralyzed in the moonbeams which
fell through the open doorway and the side-lights of frosted glass.
"Who are you?" he managed to articulate.
"Oh, you know me, I reckon, Mr. Chester. I’m Ann Boyd. I want to see you
on a little private business, just between you and me, you know. It
needn’t go any further."
"Oh, Ann Boyd!" he exclaimed, and the thought ran through his bewildered
brain that she had mistaken him for his father, and that he was
accidentally running upon evidence of an intercourse between the two
that he had thought was a thing of the past. "But, Mrs. Boyd," he said,
"you’ve made a mistake. My father is away; he left for Savannah—"
"I didn’t want to see your father," Ann snarled, angrily. "My business
is with you, my fine young man, and nobody else."
"Me?" he gasped, in growing surprise. "Me?"
"Yes, you. I’ve come back for Virginia Hemingway’s shawl. She says you
kept it. Just between you and me," she went on, "I don’t intend to leave
a thing like that in the hands of a man of your stamp to hold over the
poor girl and intimidate her with."
"You say—you say—" He seemed unable to formulate expression for his
abject astonishment, and he left the door and aimlessly moved to the
railing of the stairs and stood facing her. His eyes now fell on the
revolver in her hand, and the sight of it increased his wondering
perturbation.
Public-domain text, read in full here on John Shaqi.
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