Ann Veronica: A Modern Love StoryWells, H. G. (Herbert George)
General
Ann Veronica: A Modern Love Story
Wells, H. G. (Herbert George)
Feminism -- Fiction; Great Britain -- Social conditions -- Fiction; Love stories; Sex role -- Fiction
“When they tap the roof,” she said, in a voice of authority, “you are to
come out. You will be opposite the big entrance in Old Palace Yard. It’s
the public entrance. You are to make for that and get into the lobby if
you can, and so try and reach the floor of the House, crying ‘Votes for
Women!’ as you go.”
She spoke like a mistress addressing school-children.
“Don’t bunch too much as you come out,” she added.
“All right?” asked the man with the light eyelashes, suddenly appearing
in the doorway. He waited for an instant, wasting an encouraging smile
in the imperfect light, and then shut the doors of the van, leaving the
women in darkness....
The van started with a jerk and rumbled on its way.
“It’s like Troy!” said a voice of rapture. “It’s exactly like Troy!”
Part 5
So Ann Veronica, enterprising and a little dubious as ever, mingled with
the stream of history and wrote her Christian name upon the police-court
records of the land.
But out of a belated regard for her father she wrote the surname of some
one else.
Some day, when the rewards of literature permit the arduous research
required, the Campaign of the Women will find its Carlyle, and the
particulars of that marvellous series of exploits by which Miss Brett
and her colleagues nagged the whole Western world into the discussion of
women’s position become the material for the most delightful and amazing
descriptions. At present the world waits for that writer, and the
confused record of the newspapers remains the only resource of the
curious. When he comes he will do that raid of the pantechnicons the
justice it deserves; he will picture the orderly evening scene about the
Imperial Legislature in convincing detail, the coming and going of cabs
and motor-cabs and broughams through the chill, damp evening into New
Palace Yard, the reinforced but untroubled and unsuspecting police about
the entries of those great buildings whose square and panelled Victorian
Gothic streams up from the glare of the lamps into the murkiness of
the night; Big Ben shining overhead, an unassailable beacon, and the
incidental traffic of Westminster, cabs, carts, and glowing omnibuses
going to and from the bridge. About the Abbey and Abingdon Street stood
the outer pickets and detachments of the police, their attention all
directed westward to where the women in Caxton Hall, Westminster, hummed
like an angry hive. Squads reached to the very portal of that centre of
disturbance. And through all these defences and into Old Palace
Yard, into the very vitals of the defenders’ position, lumbered the
unsuspected vans.
They travelled past the few idle sightseers who had braved the
uninviting evening to see what the Suffragettes might be doing; they
pulled up unchallenged within thirty yards of those coveted portals.
And then they disgorged.
Public-domain text, read in full here on John Shaqi.
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