Ann Veronica: A Modern Love StoryWells, H. G. (Herbert George)
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Ann Veronica: A Modern Love Story
Wells, H. G. (Herbert George)
Feminism -- Fiction; Great Britain -- Social conditions -- Fiction; Love stories; Sex role -- Fiction
“But how did you tell him? You’ve never told me. Wasn’t it--a little bit
of a scene?”
“Oh! let me see. I said I hadn’t been at the Royal Society soiree for
four years, and got him to tell me about some of the fresh Mendelian
work. He loves the Mendelians because he hates all the big names of
the eighties and nineties. Then I think I remarked that science was
disgracefully under-endowed, and confessed I’d had to take to
more profitable courses. ‘The fact of it is,’ I said, ‘I’m the new
playwright, Thomas More. Perhaps you’ve heard--?’ Well, you know, he
had.”
“Fame!”
“Isn’t it? ‘I’ve not seen your play, Mr. More,’ he said, ‘but I’m told
it’s the most amusing thing in London at the present time. A friend
of mine, Ogilvy’--I suppose that’s Ogilvy & Ogilvy, who do so many
divorces, Vee?--‘was speaking very highly of it--very highly!’” He
smiled into her eyes.
“You are developing far too retentive a memory for praises,” said Ann
Veronica.
“I’m still new to them. But after that it was easy. I told him instantly
and shamelessly that the play was going to be worth ten thousand pounds.
He agreed it was disgraceful. Then I assumed a rather portentous manner
to prepare him.”
“How? Show me.”
“I can’t be portentous, dear, when you’re about. It’s my other side of
the moon. But I was portentous, I can assure you. ‘My name’s NOT More,
Mr. Stanley,’ I said. ‘That’s my pet name.’”
“Yes?”
“I think--yes, I went on in a pleasing blend of the casual and sotto
voce, ‘The fact of it is, sir, I happen to be your son-in-law, Capes. I
do wish you could come and dine with us some evening. It would make my
wife very happy.’”
“What did he say?”
“What does any one say to an invitation to dinner point-blank? One tries
to collect one’s wits. ‘She is constantly thinking of you,’ I said.”
“And he accepted meekly?”
“Practically. What else could he do? You can’t kick up a scene on the
spur of the moment in the face of such conflicting values as he
had before him. With me behaving as if everything was infinitely
matter-of-fact, what could he do? And just then Heaven sent old
Manningtree--I didn’t tell you before of the fortunate intervention of
Manningtree, did I? He was looking quite infernally distinguished, with
a wide crimson ribbon across him--what IS a wide crimson ribbon? Some
sort of knight, I suppose. He is a knight. ‘Well, young man,’ he said,
‘we haven’t seen you lately,’ and something about ‘Bateson & Co.’--he’s
frightfully anti-Mendelian--having it all their own way. So I introduced
him to my father-in-law like a shot. I think that WAS decision. Yes, it
was Manningtree really secured your father. He--”
“Here they are!” said Ann Veronica as the bell sounded.
Part 2
Public-domain text, read in full here on John Shaqi.
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