"Good," he said, as he watched the colour come back to her cheeks.
"Now listen. You go to your room and ring for your maid. I received a
telegram, as you know, during dinner. It contains news of the serious
illness of a near relation at Paris. Your maid has twenty minutes to
pack your dressing case for one night, and you have the same time to
change into a travelling dress. In twenty minutes we meet in the hall,
remember. I will tell you our plans on the way to the station."
"But you," she exclaimed, "you are not coming. There is the
election----"
He laughed derisively.
"Election be hanged!" he exclaimed. "Don't be childish, Annabel. We
are off for a second honeymoon. Just one thing more. We may be
stopped. Don't look so frightened. You called yourself a murderess.
You are nothing of the sort. What you did is called manslaughter, and
at the worst there is only a very slight penalty, nothing to be
frightened about in the least. Remember that."
She kissed him passionately, and ran lightly upstairs. In the hall
below she could hear his firm voice giving quick commands to the
servants.
_Chapter XXVIII_
THE HISSING OF "ALCIDE"
There was a strange and ominous murmur of voices, a shuffling of feet
in the gallery, a silence, which was like the silence before a storm.
Anna, who had sung the first verse of her song, looked around the
house, a little surprised at the absence of the applause which had
never yet failed her. She realized in a moment what had happened. Even
though the individual faces of her audience were not to be singled
out, she had been conscious from the first moment of her appearance
that something was wrong. She hesitated, and for a moment thought of
omitting her second verse altogether. The manager, however, who stood
in the wings, nodded to her to proceed, and the orchestra commenced
the first few bars of the music. Then the storm broke. A long shrill
cat-call in the gallery seemed to be the signal. Then a roar of
hisses. They came from every part, from the pit, the circle and the
gallery, even from the stalls. And there arose too, a background of
shouts.
"Who killed her husband?"
"Go and nurse him, missus!"
"Murderess!"
Anna looked from left to right. She was as pale as death, but she
seemed to have lost the power of movement. They shouted to her from
the wings to come off. She could not stir hand or foot. A paralyzing
horror was upon her. Her eardrums were burning with the echoes of
those hideous shouts. A crumpled-up newspaper thrown from the gallery
hit her upon the cheek. The stage manager came out from the wings, and
taking her hand led her off. There was more shouting.
Public-domain text, read in full here on John Shaqi.
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