Annals and Antiquities of Rajasthan, v. 2 of 3: or the Central and Western Rajput States of IndiaTod, James
History
Annals and Antiquities of Rajasthan, v. 2 of 3: or the Central and Western Rajput States of India
Tod, James
Rajasthan (India) -- History; Rajput (Indic people) -- History
symphony, or when, taking any of the simple _tappas_ of Ujjain as a
theme, he wandered through a succession of voluntaries. In summer these
little parties were held on the terrace or the house-top, where carpets
were spread under an awning, while the cool breezes of the lake gave
life after the exhaustion of a day passed under 96° of Fahrenheit. The
subjects of their songs are various, love, glory, satire, etc. I was
invited to similar assemblies by many of the chiefs; though none were so
intellectual as those of the Maharaja. On birthdays or other festivals
the chief Bardai often appears, or the bard of any other tribe who may
happen to be present. Then all is mute attention, broken only by the
emphatic “_wah, wah!_” the measured nod of the head, or fierce curl of
the moustache, in token of approbation or the reverse.[4.24.33]
The Maharaja’s talents for amplification were undoubted, and by more
than one of his friends this failing was attributed to his long
residence at the court of Jaipur, whose cognomen will not have been
forgotten. He had one day been amusing us with feats of his youth, his
swimming from island to island, and [648] bestriding the alligators for
an excursion.[4.24.34] Like Tell, he had placed a mark on his son’s head
and hit it successfully. He could kill an eagle on the wing, and divide
a ball on the edge of a knife, the knife itself unseen. While running on
in this manner, my features betraying some incredulity, he insisted on
redeeming his word. A day was accordingly appointed, and though
labouring under an ague, he came with his favourite matchlocks. The more
dangerous experiment was desisted from, and he commenced by dividing the
ball on the knife. This he placed perpendicularly in the centre of an
earthen vessel filled with water; and taking his station at about twenty
paces, perforated the centre of the vessel, and allowed you to take up
the fragments of the ball; having previously permitted you to load the
piece, and examine the vessel, which he did not once approach himself.
Another exhibition was striking an orange from a pole without
perforating it. Again, he gave the option of loading to a bystander, and
retreating a dozen paces, he knocked an orange off untouched by the
ball, which, according to a preliminary proviso, could not be found: the
orange was not even discoloured by the powder. He was an adept also at
chess[4.24.35] and chaupar, and could carry on a conversation by
stringing flowers in a peculiar manner. If he plumed himself upon his
pretensions, his vanity was always veiled under a demeanour full of
courtesy and grace; and Maharaja Sheodan Singh would be esteemed a
well-bred and well-informed man at the most polished court of Europe.
Public-domain text, read in full here on John Shaqi.
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