But we cannot march over fifty miles of country without observing traces of the genius, talent, and wealth of past days: though—whether the more abstruse sciences, or the lighter arts which embellish life—all are now fast disappearing [651]. Whether in the tranquillity secured to them by the destruction of their predatory foes, these arts and sciences may revive, and the nation regain its elevated tone, is a problem which time alone can solve. =Household Furniture.=—In their household economy, their furniture and decorations, they remain unchanged during the lapse of a thousand years. No chairs, no couches adorn their sitting apartments, though the painted and gilded ceiling may be supported by columns of serpentine, and the walls one mass of mirrors, marble, or china;—nothing but a soft carpet, hidden by a white cloth, on which the guests seat themselves according to rank. In fine, the quaint description of the chaplain to the first embassy which England sent to India, more than two hundred years ago, applies now, as it probably will two hundred years hence. “And now for the furniture the greatest men have in them [their houses], it is _curta supellex_, very little, they (the rooms) being not beautified with hangings, nor with anything besides to line their walls; for they have no chairs, stools, couches, tables, beds enclosed with canopies, or curtains, in any of their rooms. And the truth is, that if they had them, the extreme heat would forbid the use of many of them; all their bravery is upon their floors, on which they spread most excellent carpets.”[4.24.41] =Dress.=—It were useless to expatiate on dress, either male or female, the fashion varying in each province and tribe, though the texture and materials are everywhere the same: cotton in summer, and quilted chintz or broadcloth in winter. The ladies have only three articles of _parure_; the _ghaghra_, or ‘petticoat’; the _kanchuli_, ‘or corset’; and the _dopatta_, or ‘scarf,’ which is occasionally thrown over [652] the head as a veil. Ornaments are without number. For the men, trousers of every shape and calibre, a tunic girded with a ceinture, and a scarf, form the wardrobe of every Rajput. The turban is the most important part of the dress, and is the unerring mark of the tribe; the form and fashion are various, and its decorations differ according to time and circumstances. The _balaband_, or ‘silken fillet,’ was once valued as the mark of the sovereign’s favour, and was tantamount to the courtly “orders” of Europe. The colour of the turban and tunic varies with the season; and the changes are rung upon crimson, saffron, and purple, though white is by far the most common. Their shoes are mere slippers, and sandals are worn by the common classes. Boots are yet used in hunting or war, made of chamois leather, of which material the warrior often has a doublet, being more commodious, and less oppressive, than armour. The dagger or poniard is inseparable from the girdle.