of mountains, which are on all sides covered with the cactus, which luxuriates amidst the rocks of the Aravalli. Besides the Aret[4.25.21] pol, or barrier thrown across the first narrow ascent, about one mile from Kelwara, there is a second called the Halla[4.25.22] pol, intermediate to the Hanuman[4.25.23] pol, the exterior gate of the fortress, between which and the summit there are three more, viz. the gate of victory, the sanguinary gate, and that of Rama, besides the last, or Chaugan[4.25.24] pol. The barometer stood, at half-past seven A.M., 26° 65´; thermometer 58° Fahr. at the Aret pol: and on the summit at nine, while the thermometer rose to 75°, the barometer had only descended 15´, and stood at 26° 50´,[4.25.25] though we had ascended full six hundred feet. =A Jain Temple.=—Admitting the last range as our guide, the peak of Kumbhalmer will be 3353[4.25.26] feet above the level of the ocean. Hence I laid down the positions of many towns far in the desert. Here were subjects to occupy the pencil at least for a month; but we had only time for one of the most interesting views, the Jain temple before the reader, and a sketch of the fortress itself, both finished on the spot. The design of this temple is truly classic. It consists only of the sanctuary, which has a vaulted dome and colonnaded portico all round. The architecture is undoubtedly Jain, which is as distinct in character from the Brahmanical as their religion. There is a chasteness and simplicity in this specimen of monotheistic worship, affording a wide contrast to the elaborately sculptured shrines of the Saivas, and [671] other polytheists of India. The extreme want of decoration best attests its antiquity, entitling us to attribute it to that period when Samprati Raja, of the family of Chandragupta, was paramount sovereign over all these regions (two hundred years before Christ);[4.25.27] to whom tradition ascribes the most ancient monuments of this faith, yet existing in Rajasthan and Saurashtra. The proportions and forms of the columns are especially distinct from the other temples, being slight and tapering instead of massive, the general characteristic of Hindu architecture; while the projecting cornices, which would absolutely deform shafts less slight, are peculiarly indicative of the Takshak architect.[4.25.28] Samprati was the fourth prince in descent from Chandragupta, of the Jain faith, and the ally of Seleucus, the Grecian sovereign of Bactriana. The fragments of Megasthenes, ambassador from Seleucus, record that this alliance was most intimate; that the daughter of the Rajput king was married to Seleucus, who, in return for elephants and other gifts, sent a body of Greek soldiers to serve Chandragupta. It is curious to contemplate the possibility, nay the probability, that the Jain temple now before the reader may have been designed by Grecian artists, or that the taste of the artists among the Rajputs may have been modelled after the Grecian.