This fair ‘star’ (_tara_) was the daughter of Rao Surthan, the chieftain of Badnor. He was of the Solanki tribe, the lineal descendant of the famed Balhara kings of Anhilwara. Thence expelled by the arms of Ala in the thirteenth century, they migrated to Central India, and obtained possession of Tonk-Toda and its lands on the Banas, which from remote times had been occupied (perhaps founded) by the Taks, and hence bore the name of Taksilanagar, familiarly Takatpur and Toda.[4.25.30] Surthan had been deprived of Toda by Lila the Afghan, and now occupied Badnor at the foot of the Aravalli, within the bounds of Mewar. Stimulated by the reverses of her family, and by the incentives of its ancient glory, Tara Bai, scorning the habiliments and occupations of her sex, learned to guide the war-horse, and throw with unerring aim the arrow from his back, even while at speed. Armed with the bow and quiver, and mounted on a fiery Kathiawar, she joined the cavalcade in their unsuccessful attempts to wrest Toda from the Afghan. Jaimall, the third son of Rana Raemall, in person made proposals for her hand. “Redeem Toda,” said the star of Badnor, “and my hand is thine.” He assented to the terms: but evincing a rude determination to be possessed of the prize ere he had earned it, he was slain by the indignant father. Prithiraj, the brother of the deceased, was then in exile in Marwar; he had just signalized his valour, and ensured his father’s forgiveness, the redemption of Godwar,[4.25.31] and the [674] catastrophe at Badnor determined him to accept the gage thrown down to Jaimall. Fame and the bard had carried the renown of Prithiraj far beyond the bounds of Mewar; the name alone was attractive to the fair, and when thereto he who bore it added all the chivalrous ardour of his prototype, the Chauhan, Tara Bai, with the sanction of her father, consented to be his, on the simple asseveration that “he would restore to them Toda, or he was no true Rajput.” The anniversary of the martyrdom of the sons of Ali was the season chosen for the exploit.[4.25.32] Prithiraj formed a select band of five hundred cavaliers, and accompanied by his bride, the fair Tara, who insisted on partaking his glory and his danger, he reached Toda at the moment the _ta’aziya_ or bier containing the martyr-brothers was placed in the centre of the _chauk_ or ‘square.’ The prince, Tara Bai, and the faithful Sengar chief, the inseparable companion of Prithiraj, left their cavalcade and joined the procession as it passed under the balcony of the palace in which the Afghan was putting on his dress preparatory to descending. Just as he had asked who were the strange horsemen that had joined the throng, the lance of Prithiraj and an arrow from the bow of his Amazonian bride stretched him on the floor. Before the crowd recovered from the panic, the three had reached the gate of the town, where their exit was obstructed by an elephant. Tara Bai with her