These dumb recorders of a nation’s history attest the epochs of Marwar’s glory, which commenced with Maldeo, and ended with the sons of Ajit. The temple-monument of Maldeo, which yet throws into shade the still more simple shrines of Chonda, and Jodha, contrasted with the magnificent mausoleum of Raja Ajit, reads us a lesson on the advancement of luxurious pomp in this desert State. The progression is uniform, both in magnitude and elegance, from Maldeo’s who opposed on equal terms the Afghan king (whose memorable words, “I had nearly lost the throne of India for a handful of barley,”[4.27.16] mark at once the gallantry and the poverty of those whom he encountered), to the last great prince Ajit. Even that of Raja Gaj is plain, compared to his successor’s. These monuments are all erected of a very close-grained freestone, of a dark brown or red [723] tint, with sufficient hardness to allow the sculptor to indulge his fancy. The style of architecture, or rather the composition, is mixed, partaking both of the Saivite and the Buddhist; but the details are decidedly Jain, more especially the columns, which are of the same model as those in Kumbhalmer. I speak more especially of those of Rajas Jaswant and Ajit, drawings of which, on a large scale, executed by the Raja’s chief architect, I brought to Europe; but which it would be too expensive to have engraved. They are raised on immense terraces, faced with large blocks of well-polished freestone. That of Jaswant is somewhat ponderous and massive; but Ajit’s rises with great elegance and perfect symmetry of proportion. On ascending the terrace you enter through a lofty vaulted porch supported by handsome columns to the sanctum, which is a pyramidal temple, four stories in height, in the Saivite style, crowned by the _sikhar_ and _kalas_, elsewhere described. The sculptural ornaments are worthy of admiration, both for their design and effect; and the numerous columns on the basement, and different stages of ascent, give an air of so much majesty that one might deem these monuments more fitting sepulture for the Egyptian Cheops than a shrine—over what? not even the ashes of the desert king, which were consigned in an urn to the bosom of the Ganges. If the foundations of these necrological monuments have been equally attended to with the superstructure, they bid fair to convey to remote posterity the recollection of as conspicuous a knot of princely characters as ever followed each other in the annals of any age or country. Let us place them in juxtaposition with the worthies of Mewar and the illustrious scions of Timur, and challenge the thrones of Europe to exhibit such a contemporaneous display of warriors, statesmen, or scholars. Mewar. Marwar. Delhi. Rana Sanga Rao Maldeo Babur and Sher Shah. ┌──────────┐ │ │ Rao Sur Singh Humayun. └──────────┘ Rana Partap Raja Udai Singh Akbar.