Annals of a FortressViollet-le-Duc, Eugène-Emmanuel
History
Annals of a Fortress
Viollet-le-Duc, Eugène-Emmanuel
Fortification -- France -- History; Fortification -- History; Siege warfare -- History
The Baron Guy, worn out, impoverished, and childless, was essentially
one of those sensitive spirits, bruised by contact with men and events,
which, having lost all elasticity where their own interests are
concerned, direct their entire energy and their need of something to
which to attach themselves, towards an object apparently distant or
fragile. The baron had certainly an affection for his nephew; but as far
as he alone was concerned, he would, have contented himself with leaving
him to hunt peacefully on his domains, and helping him at need; but for
his niece and her two children--handsome boys of five and eight years
old respectively--he had a love amounting to adoration, and which formed
the chief interest of his life. To him it seemed that for beings so dear
in his eyes the castle de la Roche-Pont and its domain were a very
pitiful heritage; and we may question whether even the duchy of Burgundy
would have appeared to him worthy of their acceptance.
Ambitions of this _indirect_ character, as they may be called, are the
most insatiable and tenacious; they are of the kind stimulating to the
most daring enterprises, because they are disinterested and
irresponsible.
When the Baron Guy spoke of the fortresses built by the Franks in
Palestine and Syria, he never failed to enumerate their towers, to
describe their lofty walls, their fair and strong defences; and,
invariably instituting a comparison between the wonderful fortresses of
Margat, Krak, Antarseus, Laodicea, Antioch, Ascalon, Giblet, and many
others, and the castle de la Roche-Pont, he exhibited the latter as a
mere hovel fit only for serfs to hide their heads in.
When the baron's discourse took this turn--and it frequently
did--Anseric's face clouded over. Eleanor looked down, blushed, and went
to look for the children.
Public-domain text, read in full here on John Shaqi.
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