Country life -- Fiction; Vicars, Parochial -- England -- Fiction
“You make me the more ashamed of myself to think that perhaps my
rudeness had a share in bringing them.—Yours is no doubt thankless
labour sometimes.”
She seemed to make the last remark just to prevent the conversation
from returning to her as its subject. And now all the bright portions
of my work came up before me.
“You are quite mistaken in that, Miss Oldcastle. On the contrary, the
thanks I get are far more than commensurate with the labour. Of course
one meets with a disappointment sometimes, but that is only when they
don’t know what you mean. And how should they know what you mean till
they are different themselves?—You remember what Wordsworth says on
this very subject in his poem of Simon Lee?”—
“I do not know anything of Wordsworth.”
“‘I’ve heard of hearts unkind, kind deeds
With coldness still returning;
Alas! the gratitude of men
Hath oftener left me mourning.’”
“I do not quite see what he means.”
“May I recommend you to think about it? You will be sure to find it out
for yourself, and that will be ten times more satisfactory than if I
were to explain it to you. And, besides, you will never forget it, if
you do.”
“Will you repeat the lines again?”
I did so.
All this time the wind had been still. Now it rose with a slow gush in
the trees. Was it fancy? Or, as the wind moved the shrubbery, did I see
a white face? And could it be the White Wolf, as Judy called her?
I spoke aloud:
“But it is cruel to keep you standing here in such a night. You must be
a real lover of nature to walk in the dark wind.”
“I like it. Good night.”
So we parted. I gazed into the darkness after her, though she
disappeared at the distance of a yard or two; and would have stood
longer had I not still suspected the proximity of Judy’s Wolf, which
made me turn and go home, regardless now of Mr Stoddart’s DOUGHINESS.
I met Miss Oldcastle several times before the summer, but her old
manner remained, or rather had returned, for there had been nothing of
it in the tone of her voice in that interview, if INTERVIEW it could be
called where neither could see more than the other’s outline.
CHAPTER XIII.
YOUNG WEIR.
Public-domain text, read in full here on John Shaqi.
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