The island pastoral was simple indeed compared with the net-work of fancies and manœuvres disclosed by Helen. Her life seemed to be a drama. Her personages were masked under fictitious names; the Poet, the Haunted Man, the Knight-errant, the Chanting Tenor, and the Bishop, all figured in her recitals, to which Anne listened with intense interest. Helen was a brilliant story-teller. She could give the salient points of a conversation, and these only. She colored everything, of course, according to her own fancy; but one could forgive her that for her skillful avoidance of dull details, whose stupid repetition, simply because they are true, is a habit with which many good people are afflicted. The narrations, of course, were of love and lovers: it is always so in the midnight talks of women over the dying fire. Even the most secluded country girl will on such occasions unroll a list as long as Leporello's. The listener may know it is fictitious, and the narrator may know that she knows it. But there seems to be a fascination in the telling and the hearing all the same. Helen amused herself greatly over the deep interest Anne took in her stories; to do her justice, they were generally true, the conversations only being more dramatic than the reality had been. This was not Helen's fault; she performed her own part brilliantly, and even went over, on occasion, and helped on the other side. But the American man is not distinguished for conversational skill. This comes, not from dullness or lack of appreciation, but rather from overappreciation. Without the rock-like slow self-confidence of the Englishman, the Frenchman's never-failing wish to please, or the idealizing powers of the German, the American, with a quicker apprehension, does not appear so well in conversation as any one of these compeers. He takes in an idea so quickly that elaborate comment seems to him hardly worth while; and thus he only has a word or two where an Englishman has several well-intentioned sentences, a Frenchman an epigram, and a German a whole cloud of philosophical quotations and comments. But it is, more than all else, the enormous strength which ridicule as an influence possesses in America that makes him what he is; he shrinks from the slightest appearance of "fine talking," lest the ever-present harpies of mirth should swoop down and feed upon his vitals. Helen's friends, therefore, might not always have recognized themselves in her sparkling narratives, as far as their words were concerned; but it is only justice to them to add that she was never obliged to embellish their actions. She related to Anne apart, during their music lessons, the latest events in a whisper, while Belzini gave two minutes to cream candy and rest; the stories became the fairy tales of the school-girl's quiet life. Through all, she found her interest more and more attracted by "the Bishop," who seemed, however, to be anything but an ecclesiastical personage.