"Well, no," he answered, after a short silence, "I can not say that it is." He dropped the grass blades, leaned back against the rustic seat, and looked at her. It was a great temptation; he was a finished adept in the art of flirtation at its highest grade, and enjoyed the pastime. But he had not really opened that game with this young girl, and he said to himself that he would not now. He leaned over, found his three spears of grass, and went on braiding. But although he thus restrained himself, he still continued to meet her, as Miss Vanhorn, with equal pertinacity, continued to send her niece to meet him. They were not alone in the garden, but their conversation was unheard. One evening tableaux were given: Isabel, Rachel, and others had been admired in many varieties of costume and attitude, and Dexter had been everything from Richard the Lion-hearted to Aladdin. Heathcote had refused to take part. And now came a tableau in which Anne, as the Goddess of Liberty, was poised on a barrel mounted on three tables, one above the other. This airy elevation was considered necessary for the goddess, and the three tables were occupied by symbolical groups of the Seasons, the Virtues, and the Nations, all gathered together under the protection of Liberty on her barrel. Liberty, being in this case a finely poised young person, kept her position easily, flag in hand, while the merry groups were arranged on the tables below. When all was ready, the curtain was raised, lowered, then raised again for a second view, Anne looking like a goddess indeed (although a very young one), her white-robed form outlined against a dark background, one arm extended, her head thrown back, and her eyes fixed upon the outspread flag. But at the instant the curtain began to rise for this second view, she had felt the barrel broaden slightly under her, and knew that a hoop had parted. At the same second came the feeling that her best course was to stand perfectly motionless, in the hope that the staves would still support her until she could be assisted down from her isolated height. For she was fifteen feet above the stage, and there was nothing within reach which she could grasp. A chill ran over her; she tried not to breathe. At the same moment, however, when the sensation of falling was coming upon her, two firm hands were placed upon each side of her waist from behind, very slightly lifting her, as if to show her that she was safe even if the support did give way beneath her. It was Heathcote, standing on the table below. He had been detailed as scene-shifter (Rachel, being behind the scenes herself, had arranged this), had noticed the barrel as it moved, and had sprung up unseen behind the draperied pyramid to assist the goddess. No one saw him. When the curtain reached the foot-lights again he was assisting all the allegorical personages to descend from their heights, and first of all Liberty, who was trembling. No one knew this, however, save himself.