Great Britain -- History -- Elizabeth, 1558-1603 -- Fiction; Shakespeare, William, 1564-1616 -- Fiction
PARFLETE was put to bed at once, and late as was the hour a chirurgeon
was sent for. He dressed the wound, and inclined to the opinion that
the limb might be saved. But the injury was so severe that weeks must
pass before the young actor could hope to appear again in the theater.
Now this accident and its consequences had filled Shakespeare with
consternation. On the Thursday following, but six days hence, the
new comedy was to be given by the Queen’s command in Richmond Park.
The chief female character, that of _Rosalind_, had been written and
designed for this rising young actor. It was impossible at such short
notice to fill his place. There was no other member of the company who
came near Parflete in fitness for the part. The author felt that much
depended on a graceful, slender and attractive _Rosalind_. It was with
such a personage ever in his mind that the play had been composed for
the delectation of an exacting critic.
The next morning, when the full extent of the calamity was known,
Shakespeare bitterly lamented the lack of judgment which had allowed
Parflete to bear a part in the perilous transactions of the night
before. It was vain to repine, but the playwright would now have given
much to be able to undo this grievous accident.
There was also another aspect of the case that filled him with concern.
Gervase Heriot had been recognized by his uncle’s steward. The aid of
the law must already have been invoked. If the young man remained at
the Crown, it was doubtful whether his present disguise would be a
sufficient concealment, and if taken he would certainly be charged with
the murder of his uncle. Not that that mattered particularly to one
already under sentence of death. But it might matter very much to those
who had associated themselves with the young man in the harebrained
enterprise which had ended so disastrously.
Truly the reflections of William Shakespeare were not of roseate hue
this morning. Looking back on the night’s adventure, it seemed to be
as grimly fantastic as a scene out of one of his own plays. When he
had planned the weird scene that had been enacted to the very letter
of his invention, he had had a very special object in view, yet he had
not looked to the matter to be pushed to that extremity. It was hardly
in human nature to mourn the occurrence, for the world was undoubtedly
well rid of a bad man. Moreover, the object of the playwright’s
audacious stratagem had been achieved. He held in his hands a paper,
which even if obtained by means so irregular, was enough to clear
Gervase Heriot, always provided that the Queen could be brought to
reconsider his case. But the feeling now uppermost in the mind of
the dramatist was one of distress. He feared that he had drawn his
companions into one of those sinister transactions in which no man in
that age could afford to be involved.
Public-domain text, read in full here on John Shaqi.
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