Great Britain -- History -- Elizabeth, 1558-1603 -- Fiction; Shakespeare, William, 1564-1616 -- Fiction
The Queen made no pretensions to literary taste as did King James, her
successor. But she knew what she liked. And her untutored but extremely
shrewd faculty seldom led her astray. There were those, and Heming
and Burbage had been among them, who had been inclined to deplore the
fact that the author had not prepared stronger food for Gloriana’s
palate. A play of delicacy and fantasy, all lightness and grace, would
surely miss the mark. She who had held her sides at the broad humors of
_Juliet’s_ nurse and of _Hostess Quickly_ would hardly appreciate the
melancholy _Jacques_, _Touchstone_ and above all, the subtle charm of
_Rosalind_.
But this was not the case. Those finely accomplished actors, William
Kemp and Richard Burbage, had very wisely been intrusted with the
two chief male characters. To be sure, it was hardly Nature’s design
that they should interpret them, but players of their genius dignify
and embellish every rôle for which they are cast. The noble voice,
the manly bearing, the persuasive ease of style, that choicest fruit
of many a victory hardly won, tells just as surely in a whimsical
impersonation a little away from the main lines of human development,
as in the delineation of some incomparably drawn world figure such as
_Hamlet_, _Falstaff_, _Lear_.
Unaided, these great men would have carried through a weaker play. And
yet they did but serve as a kind of heavy relief, a somber frame for
the central figure. _Rosalind_ has stood for three centuries as the
symbol of womanhood in its youthful glory. That embodiment of the
divinity of girlhood still remains without a peer. And none could have
given it more powerful, more appealing expression than Anne Feversham.
From the moment the slight figure came out of the depths of the
forest and spoke her first magic lines in a voice as clear as a bell,
a hush seemed to fall upon all. The occupants of the pavilion, no
less than the humbler spectators who were privileged to sit upon
the grass were spellbound. The tall figure, trim and slender, yet
exquisite in outline, looked a little gaunt, a little fine-drawn in its
close-fitting boy’s dress. The eyes shone out of the pale face with a
luster that fascinated those the least sensitive to beauty. And the
voice thrilling with a nameless music ravished ears which knew it not
for a cadence borne upon the long night of the soul.
Public-domain text, read in full here on John Shaqi.
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