Great Britain -- History -- Elizabeth, 1558-1603 -- Fiction; Shakespeare, William, 1564-1616 -- Fiction
The words themselves may not have been without irony, but the gentle
voice showed no trace of that quality which the countrymen of
Shakespeare so much distrust.
“That is indeed high news, Master Shakespeare. And of your bounty do
we pray you that your new diversion be all in the mood of comedy as is
this inimitable piece we have seen this afternoon.”
“Alas, your grace!” The playwright shook his head. “We poor makers of
plays are no more than mortal men. And as mortal men are subject to the
coils of fate, so are the characters we weave subject to those laws
which govern our being.”
“I don’t understand,” said the Queen.
“We makers of plays, your grace, often have but a small part in our
own contrivances. Many a time have I devised a play in the spirit of
comedy, but it is ever the characters themselves who spin the plot.
And whether they shall spin it to a comic or a tragic issue none but
themselves shall say.”
“But you are the moulder and the master of your characters, are you
not, Master Shakespeare?”
“Alas, your grace, my characters are the moulders and the masters of
me!”
The Queen was perplexed by so paradoxical a saying.
“I confess,” said she, “I should ever have thought it to be otherwise.
Now is it that you would have us believe that although you have
yourself devised the characters and the plot of your new interlude,
you have so little hold upon them that you know not until your play is
written whether it will be in the tragic or the comic vein?”
“It may not always be so, your grace, to the extent that it is in this
particular case. But in this instance, I will confess that I have but
little hold upon the destiny of the characters in the story.”
“That seems very odd, Master Shakespeare. And our counsel to you is
to take a very speedy and secure hold upon your characters unless you
would court our grave displeasure.”
“Alas, your grace!” The playwright sighed heavily.
“Tell me, sirrah, what is your perplexity?”
“To tell my perplexity, your grace, would involve the whole plot of the
story, and a recital of that your grace would doubtless find tedious.”
The Queen, however, in the expansiveness of her mood, assured the
author that he need have no fears upon that account. On the contrary,
she professed herself delighted at the prospect of hearing it. She
avowed, besides, that her ladies would be immensely diverted by
hearing the argument of the new play fresh from the mint of the poet’s
invention.
“Do you tell us the story, I beseech you, Master Shakespeare!” said the
Queen. “And although I cannot pretend that an unlearned woman such as
myself has it in her power to resolve your perplexity, there are about
us those of quick parts who shall hear it, who, I doubt not, will be
able to give you valuable advice upon the conduct of your play.”
Doubtless the Queen spoke in mockery, since at heart she was a despiser
of most men and of all women. Mr. William Shakespeare, however, was
fully prepared to take her at her word.
Public-domain text, read in full here on John Shaqi.
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