Great Britain -- History -- Elizabeth, 1558-1603 -- Fiction; Shakespeare, William, 1564-1616 -- Fiction
“And there is more to tell. Love has come to her. She yields all that
she has of security and also the many benefits she enjoys under her
father’s roof in order that she may share the life of this hunted
fugitive. Footsore and hungry, by mere and mead, sleeping now under
the open sky, now in barn or byre, they make their way from place
to place. The officers of the law are ever upon their heels, but
Providence is with them, so that at last they come to a fair and famous
city and fall in with a cry of players.
“Now may it please your grace, one of these players is not only an
actor but is also a maker of plays. And this man, by the bounty of
the gracious lady his sovereign, has been commanded to devise for her
a pastoral to be performed in her presence on the greensward of a
summer’s afternoon. And this man is so charmed by the grace and beauty
of these vagabonds, both of whom are dressed as boys, so charmed by
their fair appearance and their goodly manners, that he would fain
admit them into the company of players, in order that they may be
trained as actors, and perchance on a day delight the Queen with their
accomplishment.
“At first these wanderers reject the proposal. But they are hard set.
They have journeyed far and food and lodging are to seek. And being
driven to a final desperate extremity at last, they put their faith in
this play-actor. They reveal to him the whole of their tragic history
and crave his help.”
“One moment, Master Shakespeare.” It was the harsh, imperious voice of
the Queen. And it seemed to fall like a thunderclap upon the expectant
hush engendered by the player’s narrative. “Do I understand you to say
that these persons informed this play-actor of the whole matter?”
“Yes, your grace, of the whole of their history,” the player spoke with
a calm fearlessness: “the whole of it as it was at that time known
to them. Moreover, this player, having heard their tragical story,
resolved to help them to the utmost of his capacity. To this end he had
them put in a disguise of an Italian music master and his son.”
“In order, sirrah, I presume,” said the Queen’s harsh voice, “to defeat
the ends of justice?”
“Not in order to defeat the ends of justice, your grace,” said the
player with a calm deference which, however, did little to allay the
rising anger of the Queen, “but rather to the end that justice might
be vindicated. That only was the purpose in the player’s mind as shall
presently appear. But under your grace’s favor, I will continue this
tragical history.”
“Do so, sirrah, I pray you.” The voice of the Queen was now ominous
indeed.
Public-domain text, read in full here on John Shaqi.
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