Great Britain -- History -- Elizabeth, 1558-1603 -- Fiction; Shakespeare, William, 1564-1616 -- Fiction
“It is simply, your grace, that this humble player, the least of the
Queen’s servants, is alone to blame for all of that which follows. In
the first place, the young man was no sooner informed of the peril of
the governor of the castle than he desired to yield himself straightway
to the will of the sovereign. But the player, mistakenly perhaps, was
able to hold him from this most honorable course until a riper season.
And in the meantime, the player set his mind to work in order to adduce
a tangible proof of this young man’s innocence, so that when the time
came for him to cast himself upon the mercy of the Queen, he should not
appear empty-handed before her.
“Providence favored him. By means of a device which I will not
describe, lest I tax the patience of your grace, the player was able to
obtain an irrefragable proof of the young man’s innocence. By the same
means, moreover, he was able to adduce clear evidence of those who were
guilty. But of this I will presently speak more fully.
“In the meantime, however, while all this was going forward, the hour
was drawing near for the new interlude to be given in the presence of
the sovereign. And the player deemed such a season to be not the least
favorable for two noble but ill-starred children of destiny to invoke
justice and mercy of a woman, the first in the realm.”
At this point the player paused in his narrative. A profound silence
descended upon all. Every person who had heard the singular story was
now aware that it was no mere figment of a poet’s mind. It was a grim
and terrible reality. And that unhappy fact was declared in the harsh
and cruel eyes of the Queen.
For a full minute not a word was spoken. The player had given as much
of his story as was vital to his design. And now with a true political
instinct he refrained from adding another word, but left it to the
Queen herself to speak.
She made no haste to do so. Astonished beyond measure, resentful,
angry, she brought the whole of her powerful mind to bear upon the
matter before giving expression to her thoughts. Dumbfounded as she was
by the audacity and the indiscretion of this man, two facts dominated
her now. The mystery attending the circumstances of the young man,
Gervase Heriot’s escape from Nottingham Castle, was now made clear. The
unlucky Sir John Feversham had neither art nor part in it after all.
He had kept a stubborn silence for no other reason than to shield his
daughter. And it was none other than that froward young woman who had
given that charming performance in the new comedy but a few minutes
ago. At last the Queen turned to her ladies with a look of sour triumph.
“Did I not say,” she cried, “that that was indeed no youth who strutted
in doublet and trunk hose?”
A moment afterwards the august lady had turned imperiously to the
player.
“This seems but a tame conclusion to your new interlude, Master
Shakespeare.”
Public-domain text, read in full here on John Shaqi.
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