Great Britain -- History -- Elizabeth, 1558-1603 -- Fiction; Shakespeare, William, 1564-1616 -- Fiction
At last, about four o’clock of the afternoon, came the dread summons
to the Queen. It was conveyed by the Lord Treasurer in person. There
was nothing to learn from that lofty and formal mien. The measured
deportment, the detached air told nothing. He who so often was called
to be the arbiter of life and death in the daily routine of his high
office betrayed not the least emotion. Indeed, the grim question now at
issue appeared to touch him not at all.
The Queen was taking her ease on a gorgeous gilt couch. One of her
ladies, who was working a sampler in silk, was seated on a low stool
at her side. She was a dark and handsome young woman with restless,
brilliant and piercing eyes. As soon as the playwright entered the
room, they met his in a kind of challenge, half of cynical interest,
half of mockery. A slow, rather insolent smile curled her lips. For a
very brief instant, the poet was obviously disconcerted. But almost
at once, he had exercised the whole force of his will and was able to
attend that other woman who held his life in her hand.
The Queen sat up on her couch.
“Master Shakespeare,” she said, “I have to inform you that the man,
Grisewood, is dead.”
“Dead!” gasped the player.
“Yes,” said the Queen, “he is dead. He has been found at his lodging
with his throat cut. And there can be little doubt, as I am given to
understand, that he has died by his own hand.”
The player stood in silence, looking straight in front of him. There
came a violent surge and onrush of his thoughts. In the sensitive and
generous mind, relief for the good riddance of a bad man was tempered
with an emotion of pity for an end so ignoble.
“I have to say this, Master Shakespeare.” The voice of the Queen, which
sounded very far away, broke in upon the heavy tumult of his thoughts.
“The death of this man, Grisewood, removed a most material witness. He
alone could have proved or disproved your statement.”
By now, however, the playwright had regained full command of himself.
Calmly, he sustained the force of the Queen’s gaze. The somber yet
wonderful eyes were fixed on the raddled and rather peevish face.
“Under the favor of your grace,” he said, speaking very slowly and in
the manner of one who chooses his words with the utmost care, “Sir
Robert Grisewood has already attested to the truth of the statement
which I have made.”
“In what way, sirrah? By what means?” said the Queen, sharply.
“By the taking of his own life,” said the playwright. “It is a clear
confession of the knowledge that he is undone.”
“How should he have any such knowledge?”
“He was present yesterday, your grace, in the pavilion, when I
rehearsed the story of his crime. I marked his livid face among the
audience. It is one I shall never forget.”
The Queen nodded her head, but did not speak.
Public-domain text, read in full here on John Shaqi.
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