England -- Fiction; France -- Fiction; Governesses -- Fiction; Orphans -- Fiction
A wide staircase, its balustrades of carved oak, gilded in places,
wound up to the rooms above. A gallery, lighted from above, ran along
this upper floor, from wing to wing, paintings lining it. It seemed as
if the wings had some time been added to the house, for they were of a
different style of architecture. A green-baize door shut them out from
the gallery. Beyond this was a narrow corridor, and then a double door
of stout oak, which formed the real entrance to the wings: the same on
both sides. What rooms might be within them, I did not yet know. Each
wing had a staircase of communication between its upper and lower
floors, and also a small door of egress to the grounds on the sides of
the house, where the trees grew very thick. In the east wing (the
house, you must understand, facing the south), this lower outer door
was kept locked and barred—to all intents and purposes, closed up; in
the west wing, which was inhabited exclusively by Lady Chandos, the
door was simply locked, and could be opened inside at will; though no
one ever made use of it but herself, and she very rarely.
Several rooms opened from the gallery to the front—all of them
bed-chambers, except one: that was the library. The library was the
room next to the _east_ wing. Opposite to it was a door opening to a
room that looked back, level with the north rooms in the east wing. A
similar room opened from the gallery at the other end. In fact, the
house was built in uniform—one end the same as the other. Between the
doors of these two rooms the wall of the gallery ran unbroken; there
was, in fact, no communication whatever, as regards the upper rooms,
between the back portion of the house and the front.
And now for the ground-floor. The portico was not in the middle of the
house, but near to the east wing; one room only, the large dining-room,
that seemed to be never used, lying between. The hall was rather small,
dark, and shut in, the oak parlour being on the left hand as you
entered. Two doors at the back of the hall led, the one to the handsome
staircase, the other to the kitchens and other domestic rooms belonging
to the household. A spacious corridor, underneath the gallery above,
branched off from the hall by means of an open archway behind the oak
parlour, and ran along the house; and the various reception-rooms, all
looking front, including Mr. Chandos's private sitting-room, opened
from it. A passage at the other end of the corridor led to the rooms at
the back, but it had been closed up; and there was no communication
whatever on this lower floor with the wings. The doors in the hall,
leading to the stairs and to the servants' offices, as often as not
stood open during the day. Lady Chandos sat much in the west wing; she
seemed to like being alone. And I think that is all that need be said
at present in regard to the in-door features of the house. The
description has not been given unnecessarily.
Public-domain text, read in full here on John Shaqi.
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