Anne of Geierstein; Or, The Maiden of the Mist. Volume 2 (of 2)Scott, Walter
History
Anne of Geierstein; Or, The Maiden of the Mist. Volume 2 (of 2)
Scott, Walter
France -- History -- Louis XI, 1461-1483 -- Fiction
"Something like it indeed took place," said Thiebault; "and I will
tell your seignorie how it chanced. You must know that good King René,
unwilling to abandon his daughter to the foul fiend of melancholy,
bethought him of making a grand effort. You must know, further, that
the King, powerful in all the craft of Troubadours and Jongleurs, is
held in peculiar esteem for conducting mysteries, and other of those
gamesome and delightful sports and processions, with which our Holy
Church permits her graver ceremonies to be relieved and diversified,
to the cheering of the hearts of all true children of religion. It is
admitted that no one has ever been able to approach his excellence in
the arrangement of the Fête-Dieu; and the tune to which the devils
cudgel King Herod, to the great edification of all Christian
spectators, is of our good King's royal composition. He hath danced at
Tarasconne in the ballet of St. Martha and the Dragon, and was
accounted in his own person the only actor competent to present the
Tarrasque. His Highness introduced also a new ritual into the
consecration of the Boy Bishop, and composed an entire set of
grotesque music for the Festival of Asses. In short, his Grace's
strength lies in those pleasing and becoming festivities which strew
the path of edification with flowers, and send men dancing and singing
on their way to heaven.
"Now the good King René, feeling his own genius for such recreative
compositions, resolved to exert it to the utmost, in the hope that he
might thereby relieve the melancholy in which his daughter was
plunged, and which infected all that approached her. It chanced, some
short time since, that the Queen was absent for certain days, I know
not where or on what business, but it gave the good King time to make
his preparations. So, when his daughter returned, he with much
importunity prevailed on her to make part of a religious procession to
St. Sauveur, the principal church in Aix. The Queen, innocent of what
was intended, decked herself with solemnity, to witness and partake of
what she expected would prove a work of grave piety. But no sooner had
she appeared on the esplanade in front of the palace, than more than a
hundred masks, dressed up like Turks, Jews, Saracens, Moors, and I
know not whom besides, crowded around, to offer her their homage, in
the character of the Queen of Sheba; and a grotesque piece of music
called them to arrange themselves for a ludicrous ballet, in which
they addressed the Queen in the most entertaining manner, and with the
most extravagant gestures. The Queen, stunned with the noise, and
affronted with the petulance of this unexpected onset, would have gone
back into the palace; but the doors had been shut by the King's order
so soon as she set forth, and her retreat in that direction was cut
off. Finding herself excluded from the palace, the Queen advanced to
the front of the façade, and endeavoured by signs and words to appease
Public-domain text, read in full here on John Shaqi.
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