Anne of Geierstein; Or, The Maiden of the Mist. Volume 2 (of 2)Scott, Walter
History
Anne of Geierstein; Or, The Maiden of the Mist. Volume 2 (of 2)
Scott, Walter
France -- History -- Louis XI, 1461-1483 -- Fiction
The old King sustained the shock of his daughter's death so easily,
that on the second day after the event he was engaged in arranging a
pompous procession for the funeral, and composing an elegy, to be sung
to a tune also of his own composing, in honour of the deceased Queen,
who was likened to the goddesses of heathen mythology, and to Judith,
Deborah, and all the other holy women, not to mention the saints of
the Christian dispensation. It cannot be concealed that, when the
first burst of grief was over, King René could not help feeling that
Margaret's death cut a political knot which he might have otherwise
found it difficult to untie, and permitted him to take open part with
his grandson, so far indeed as to afford him a considerable share of
the contents of the Provençal treasury, which amounted to no larger
sum than ten thousand crowns. Ferrand having received the blessing of
his grandfather, in a form which his affairs rendered most important
to him, returned to the resolutes whom he commanded; and with him,
after a most loving farewell to Arthur, went the stout but
simple-minded young Swiss, Sigismund Biederman.
The little court of Aix were left to their mourning. King René, for
whom ceremonial and show, whether of a joyful or melancholy character,
was always matter of importance, would willingly have bestowed on
solemnising the obsequies of his daughter Margaret what remained of
his revenue, but was prevented from doing so, partly by remonstrances
from his ministers, partly by the obstacles opposed by the young
Englishman, who, acting upon the presumed will of the dead, interfered
to prevent any such fantastic exhibitions being produced at the
obsequies of the Queen as had disgusted her during her life.
The funeral, therefore, after many days had been spent in public
prayers and acts of devotion, was solemnised with the mournful
magnificence due to the birth of the deceased, and with which the
Church of Rome so well knows how to affect at once the eye, ear, and
feelings.
Public-domain text, read in full here on John Shaqi.
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