Anno Domini 2000; or, Woman's DestinyVogel, Julius, Sir
Science
Anno Domini 2000; or, Woman's Destiny
Vogel, Julius, Sir
Feminist fiction; New Zealand -- Fiction; Two thousand, A.D. -- Fiction; Utopian fiction; Utopias -- Fiction; Women -- Fiction
Miss Buller thought it desirable to see Miss Maudesley at her own house,
both because it might be necessary to consult her further, and because
she wished to observe what were her domestic surroundings. They were
pleased with what they saw. The flat was simply but usefully furnished.
There was no striving after display. Everything was substantial and good
of its kind without being needlessly expensive. Grace and beauty were
not wanting. Some excellent drawings and water-coloured paintings by Mr.
Maudesley and one or two of his children decorated the walls. There
were two or three small models of inventions of Mr. Maudesley's and one
item of luxury in great beauty in the shape of flowers, with which the
sitting-room was amply decorated. We are perhaps wrong in terming
flowers luxuries, for after all, luxuries are things with which people
can dispense; and there were few families who did not regard flowers as
a necessary ornament of a home, however humble it and its surroundings
might be.
Miss Buller explained to Miss Maudesley that the usual head of the war
ambulance corps required a substitute, as she was unable to join the
expedition. It was her wish as well as that of the Duchess of New
Zealand that Miss Maudesley should take her place. Fortunately Miss
Maudesley's engagements were sufficiently disposable to enable her to
accept the notable distinction thus offered to her. Miss Buller was
greatly pleased with the unaffected manner in which she expressed her
thanks and her willingness to act.
Captain Garstairs returned with Phoebe Buller to her official room.
"Good-bye, Miss Buller," he said. "I hope you will allow me to call on
you when I return, if indeed the exigencies of war allow me to return."
"Of course you will return. And why do you call me Miss Buller?" said
the girl, with downcast eyes and pale face. For the time all traces of
coquetry were wanting.
"May I call you Phoebe? And do you wish me to return?"
"Why not? Good-bye."
The cold words were belied by the moistened eyes. The bold soldier saw
his opportunity. Before he left the room they were engaged to be
married.
It is curious how war brings incidents of this kind to a crisis. At the
risk of wearying our readers with a monotony of events, another scene in
the same mansion must be described.
The Emperor did Mrs. Hardinge the honour of visiting her at her own
house. So little did she seem surprised, that it almost appeared she
expected him. She, however, pleaded an urgent engagement, and asked
permission to leave Hilda as her substitute. The readiness with which
the permission was granted seemed also to be prearranged, and the
astonished girl found herself alone with the Emperor before she had
fully realised that he had come to see Mrs. Hardinge. He turned to her a
bright and happy face, but his manner was signally deferential.
"You cannot realise, Duchess, how I have longed to see you alone once
more."
Public-domain text, read in full here on John Shaqi.
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