Anthology of Russian literature from the earliest period to the present time, volume 1 (of 2) : $b From the tenth century to the close of the eighteenth centuryWiener, Leo
General
Anthology of Russian literature from the earliest period to the present time, volume 1 (of 2) : $b From the tenth century to the close of the eighteenth century
Wiener, Leo
Russia -- Literary collections; Russian literature -- Translations into English
Like a humming swarm of bees,
So the soldiers spake,
With one voice at once they spake:
“Father dear, great Tsar!
Fall it must! and all our lives
Thereon we gladly stake.”
Set already was the moon,
Nearly past the night;
To the storming on they marched,
With the morning light;
To the fort with bulwarked towers
And walls so strong and white.
Not great rocks they were, which rolled
From the mountains steep;
From the high, high walls there rolled
Foes into the deep.
No white snow shines on the fields,
All so white and bright;
But the corpses of our foes
Shine so bright and white.
Not upswollen by heavy rains
Left the sea its bed;
No! In rills and rivers streams
Turkish blood so red!
--From Talvi’s _Historical View_.
Folksongs.
Pagan Russia was rich in ceremonies in honour of the various
divinities representing the powers of nature. Christianity has not
entirely obliterated the memory of these ancient rites: they are
preserved in the ceremonial songs that are recited, now of course
without a knowledge of their meaning, upon all church holidays, to
which the old festivities have been adapted. Thus, the feast of the
winter solstice now coincides with Christmas, while the old holiday of
the summer solstice has been transferred to St. John’s Day, on June
24th.
The _kolyádas_ are sung at Christmas, and seem to have been originally
in honour of the sun. The name appears to be related to the Latin
“calenda,” but it is generally supposed that this is only accidental,
and that _Kolyáda_ was one of the appellations of the sun. Young boys
and girls march through the village or town and exact contributions of
eatables by reciting the kolyádas. In other places they sing, instead,
songs to a mythical being, Ovsén, on the eve of the New Year. This
Ovsén is some other representation of the sun.
During the Christmas festivity fortunes are told over a bowl of water
which is placed on the table, while in it are put rings, earrings,
salt, bread, pieces of coal. During the fortune-telling they sing the
_bowl-songs_, after each of which a ring, or the like, is removed.
After the fortune-telling follow the games and the songs connected
with these.
Spring songs are recited in the week after Easter. Soon after, and
lasting until the end of June, the round dance, the _khorovód_, is
danced upon some eminence, and the khorovód songs, referring to love
and marriage, are sung. There are still other reminiscences of heathen
festivals, of which the most important is that to Kupála, on the night
from the 23rd to the 24th of June, when the peasants jump over fires
and bathe in the river.
Public-domain text, read in full here on John Shaqi.
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