Anthology of Russian literature from the earliest period to the present time, volume 1 (of 2) : $b From the tenth century to the close of the eighteenth centuryWiener, Leo
General
Anthology of Russian literature from the earliest period to the present time, volume 1 (of 2) : $b From the tenth century to the close of the eighteenth century
Wiener, Leo
Russia -- Literary collections; Russian literature -- Translations into English
One day her nephew and I took a walk, and there was with us a young
servant of hers who taught us to read and was at the same time studying
himself. Her nephew and prospective heir led us to an apple-tree that
grew outside the enclosure, and he began to knock down some apples,
without having first asked his aunt’s permission. This crime was
reported to his aunt. She ordered all three of us to be brought into
her presence for a just punishment. She ordered in great anger to take
up at once our innocent servant and teacher and to place him on a
wooden horse, and he was unmercifully whipped for a long time, while
they kept on repeating: “Don’t knock the apples off the tree!” Then
came my turn: the widow ordered to have me put on the horse, and I
received three blows on my back, though I, like the teacher, had not
knocked down any apples. Her nephew was frightened, and he thought that
his turn would now come to be punished, but his fear was groundless;
all the widow did was to reprimand him as follows: “It is wrong, it
is not proper, sir, to knock down apples without having received my
permission,” and then she kissed him and said: “I suppose, Ványa, you
were frightened as they whipped your companions; don’t be afraid, my
darling! I’ll not have you whipped.”
Catherine the Great. (1729-1796.)
The French culture, which had held sway in Russia before Catherine
II., became even more pronounced when she ascended the throne. She
corresponded with Voltaire, offered d’Alembert the place of tutor to
her son, paid Diderot a salary as keeper of his own library, which
she had purchased from him, and, in the first part of her reign,
laboured, at least platonically, for the introduction of new laws in
the spirit of Rousseau and Montesquieu. She planned to build schools
and academies, encouraged the establishment of printing presses, by
making them free from government control, and by her own example did
much to foster literature. One of her earliest ventures is her famous
_Instruction_ for the commission that had been called to present
a project for a new code of laws. She composed a large number of
comedies, tragedies and operas, wrote a work on Russian proverbs and a
number of fairy tales. Of the latter her _Prince Khlor_ gave Derzhávin
an occasion to immortalise her as _Felítsa_, and to inaugurate a new
style of ode. Catherine was the first to found a satirical journal,
the _All Kinds of Things_ (see p. 326), the prototype of a number
of similar periodical publications. The latter part of her reign is
characterised by a reactionary tendency, due to her general distrust
of the Masons, who had taken a firm foothold in Russia and whom she
suspected of favouring the French Revolution. She then put literature
under a ban, and caused much annoyance to men like Nóvikov and
Radíshchev.
Public-domain text, read in full here on John Shaqi.
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