The hair is sooty black, without gloss, and coarse, cut in an even line across the forehead, but allowed to grow long at the back of the head and about the ears, whilst the crown is cropped close or shaven. The color of the skin is a light yellowish brown, but variable in shade, and in a few instances was observed to be very dark. In the young, the complexion is comparatively fair, presenting a remarkably healthy sunburnt appearance, through which the rosy hue of the cheeks is visible; before middle life, however, this, from exposure, gives place to a weather-beaten appearance, so that it is difficult to guess their ages. The face is flat, broad, rounded, and commonly plump, the cheek bones high, the forehead low, but broad across the eyebrows, and narrowing upwards; the whole head becomes somewhat pointed toward the crown. The nose is short and flat, giving an appearance of considerable space between the eyes. The eyes are brown, of different shades, usually dark, seldom if ever altogether black, and generally have a soft expression; some have a peculiar glitter, which we call gipsy-like. They slope slightly upwards from the nose, and have a fold of skin stretching across the inner angle to the upper eyelid, most perceptible in childhood, which gives to some individuals a cast of countenance almost perfectly Chinese. The eyelids seem tumid, opening to only a moderate extent, and the slightly arched eyebrows scarcely project beyond them. The ears are by no means large, but frequently stand out sideways. The mouth is prominent and large, and the lips, especially the lower one, rather thick and protruding. The jawbones are strong, supporting remarkably firm and commonly regular teeth. In the youthful these are in general white, but toward middle age they have lost their enamel and become black or are worn down to the gums. The incisors of the lower jaw do not pass behind those of the upper, but meet edge to edge, so that by the time an individual arrives at maturity, the opposing surfaces of the eye and front teeth are perfectly flat, independently of the wear they are subjected to in every possible way to assist the hands. The expression of the countenance is one of habitual good humor in the great majority of both sexes, but is a good deal marred in the men by wearing heavy lip ornaments. * * *