difference to the earliest settler between the benevolent spirits of
the reclaimed clearing and the hostile spirits of the wild woodland has
never been quite fully appreciated.
But this device was one to which you need only have recourse on a
particular occasion; the permanent difficulty was to mark off your
cultivated land from the forest and its dangerous spiritual population,
in some way by which the latter might be prevented from making itself
unpleasant. You must draw a definite line between good spirits and bad,
between white spirits and black. Here it is that we find the origin of
a practice which lasted all through Roman history, passed on into the
ritual of the Church, and still survives, as at Oxford on Ascension
Day, in the beating of parish bounds. The boundary of the cultivated
land was marked out in some material way, perhaps by stones placed
at intervals, like the _cippi_ of the old Roman _pomerium_, from the
woodland lying around it; and this boundary-line was made sacred by the
passage round it (_lustratio_) at some fixed time of the year--in May
as a rule, when the crops were ripening and especially liable to be
attacked by hostile influences--of a procession occupied with sacrifice
and prayer. I must dwell for a moment on this procession as it is
described by old Cato; but at this point I may just interpolate the
remark that the object of its mysterious influence was the arable land
only and the crops.[120] The sheep and cattle were otherwise protected,
when, after their seclusion within the boundary during the winter, they
were driven out in April to pasture beyond it, where they would be in
far greater peril from enemies spiritual and other. If you wish to see
how this was done, read Ovid’s account of the Parilia in the fourth
book of his _Fasti_, and Dr. Frazer’s illuminating commentary on it
(St. George and the Parilia) in the _Revue des Études Ethnographiques
et Sociologiques_ for 1908, p. 1 foll.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account