Black humor; City and town life -- Fiction; Intellectuals -- Fiction; London (England) -- Fiction; Satire
“Sour grapes,” said Emily, putting her ear to the door. “It sounds to me
simply too lovely.”
They stood outside, like beggars waiting abjectly at the doors of a
banqueting-hall—stood and listened to the snatches of music that came
out tantalizingly from within. A rattle of clapping announced at last
that the first movement was over; the doors were thrown open. Hungrily
they rushed in. The Sclopis Quartet and a subsidiary viola were bowing
from the platform. There was a chirrup of tuning, then preliminary
silence. Sclopis nodded and moved his bow. The minuetto of Mozart’s G
minor Quintet broke out, phrase after phrase, short and decisive, with
every now and then a violent sforzando chord, startling in its harsh and
sudden emphasis.
Minuetto—all civilization, Mr. Mercaptan would have said, was implied in
the delicious word, the delicate, pretty thing. Ladies and precious
gentlemen, fresh from the wit and gallantry of Crebillon-haunted sofas,
stepping gracefully to a pattern of airy notes. To this passion of one
who cries out, to this obscure and angry argument with fate how would
they, Gumbril wondered, how would they have tripped it?
How pure the passion, how unaffected, clear and without clot or
pretension the unhappiness of that slow movement which followed! Blessed
are the pure in heart, for they shall see God. Pure and unsullied; pure
and unmixed, unadulterated. “Not passionate, thank God; only sensual and
sentimental.” In the name of earwig. Amen. Pure, pure. Worshippers have
tried to rape the statues of the gods; the statuaries who made the
images were generally to blame. And how deliciously, too, an artist can
suffer! and, in the face of the whole Albert Hall, with what an
effective gesture and grimace! But blessed are the pure in heart, for
they shall see God. The instruments come together and part again. Long
silver threads hang aerially over a murmur of waters; in the midst of
muffled sobbing a cry. The fountains blow their architecture of slender
pillars, and from basin to basin the waters fall; from basin to basin,
and every fall makes somehow possible a higher leaping of the jet, and
at the last fall the mounting column springs up into the sunlight, and
from water the music has modulated up into a rainbow. Blessed are the
pure in heart, for they shall see God; they shall make God visible, too,
to other eyes.
Public-domain text, read in full here on John Shaqi.
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