Black humor; City and town life -- Fiction; Intellectuals -- Fiction; London (England) -- Fiction; Satire
Mr. Mercaptan sat at his writing-table—an exquisitely amusing affair in
papier mâché, inlaid with floral decorations in mother-of-pearl and
painted with views of Windsor Castle and Tintern in the romantic manner
of Prince Albert’s later days—polishing to its final and gem-like
perfection one of his middle articles. It was on a splendid subject—the
‘Jus Primæ Noctis, or Droit du Seigneur’—“that delicious _droit_,” wrote
Mr. Mercaptan, “on which, one likes to think, the Sovereigns of England
insist so firmly in their motto, _Dieu et mon Droit—de Seigneur_.” That
was charming, Mr. Mercaptan thought, as he read it through. And he liked
that bit which began elegiacally: “But, alas! the Right of the First
Night belongs to a Middle Age as mythical, albeit happily different, as
those dismal epochs invented by Morris or by Chesterton. The Lord’s
right, as we prettily imagine it, is a figment of the baroque
imagination of the seventeenth century. It never existed. Or at least it
did exist, but as something deplorably different from what we love to
picture it.” And he went on, eruditely, to refer to that Council of
Carthage which, in 398, demanded of the faithful that they should be
continent on their wedding-night. It was the Lord’s right—the _droit_ of
a heavenly Seigneur. On this text of fact, Mr. Mercaptan went on to
preach a brilliant sermon on that melancholy sexual perversion known as
continence. How much happier we all should be if the real historical
_droit du Seigneur_ had in fact been the mythical right of our ‘pretty
prurient imaginations’! He looked forward to a golden age when all
should be seigneurs possessing rights that should have broadened down
into universal liberty. And so on. Mr. Mercaptan read through his
creation with a smile of satisfaction on his face. Every here and there
he made a careful correction in red ink. Over ‘pretty prurient
imaginations’ his pen hung for a full minute in conscientious
hesitation. Wasn’t it perhaps a little too strongly alliterative, a
shade, perhaps, cheap? Perhaps ‘pretty lascivious’ or ‘delicate
prurient’ would be better. He repeated the alternatives several times,
rolling the sound of them round his tongue, judicially, like a
tea-taster. In the end, he decided that ‘pretty prurient’ was right.
‘Pretty prurient’—they were the _mots justes_, decidedly, without a
question.
Mr. Mercaptan had just come to this decision and his poised pen was
moving farther down the page, when he was disturbed by the sound of
arguing voices in the corridor, outside his room.
“What is it, Mrs. Goldie?” he called irritably, for it was not difficult
to distinguish his housekeeper’s loud and querulous tones. He had given
orders that he was not to be disturbed. In these critical moments of
correction one needed such absolute tranquillity.
Public-domain text, read in full here on John Shaqi.
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