Black humor; City and town life -- Fiction; Intellectuals -- Fiction; London (England) -- Fiction; Satire
It was between Whitefield Street and the Tottenham Court Road, in a
‘heavenly Mews,’ as he liked to call it (for he had a characteristic
weakness for philosophical paronomasia), that Casimir Lypiatt lived and
worked. You passed under an archway of bald and sooty brick—and at
night, when the green gas-lamp underneath the arch threw livid lights
and enormous architectural shadows, you could fancy yourself at the
entrance of one of Piranesi’s prisons—and you found yourself in a long
cul-de-sac, flanked on either side by low buildings, having stabling for
horses below and, less commodiously, stabling for human beings in the
attics above. An old-fashioned smell of animals mingled with the more
progressive stink of burnt oil. The air was a little thicker here, it
seemed, than in the streets outside; looking down the mews on even the
clearest day, you could see the forms of things dimming and softening,
the colours growing richer and deeper with every yard of distance. It
was the best place in the world, Lypiatt used to say, for studying
aerial perspective; that was why he lived there. But you always felt
about poor Lypiatt that he was facing misfortune with a jest a little
too self-consciously.
Mrs. Viveash’s taxi drove in under the Piranesian arch, drove in slowly
and as though with a gingerly reluctance to soil its white wheels on
pavements so sordid. The cabman looked round inquiringly.
“This right?” he asked.
With a white-gloved finger Mrs. Viveash prodded the air two or three
times, indicating that he was to drive straight on. Half-way down the
mews she rapped the glass; the man drew up.
“Never been down _’ere_ before,” he said, for the sake of making a
little conversation, while Mrs. Viveash fumbled for her money. He looked
at her with a polite and slightly ironic curiosity that was frankly
mingled with admiration.
“You’re lucky,” said Mrs. Viveash. “We poor decayed gentlewomen—you see
what we’re reduced to.” And she handed him a florin.
Slowly the taxi-man unbuttoned his coat and put the coin away in an
inner pocket. He watched her as she crossed the dirty street, placing
her feet with a meticulous precision one after the other in the same
straight line, as though she were treading a knife edge between goodness
only knew what invisible gulfs. Floating she seemed to go, with a little
spring at every step and the skirt of her summery dress—white it was,
with a florid pattern printed in black all over it—blowing airily out
around her swaying march. Decayed gentlewomen indeed! The driver started
his machine with an unnecessary violence; he felt, for some reason,
positively indignant.
Public-domain text, read in full here on John Shaqi.
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