Black humor; City and town life -- Fiction; Intellectuals -- Fiction; London (England) -- Fiction; Satire
“By God,” he kept repeating, “by God, by God. I feel it in me. I can
face the whole lot of you; the whole damned lot. Yes, and I shall get
the better of you yet. An Artist”—he called up that traditional ghost
and it comforted him; he wrapped himself with a protective gesture
within the ample folds of its bright mantle—“an Artist doesn’t fail
under unhappiness. He gets new strength from it. The torture makes him
sweat new masterpieces....”
He began to talk about his books, his poems and pictures; all the great
things in his head, the things he had already done. He talked about his
exhibition—ah, by God, that would astonish them, that would bowl them
over, this time. The blood mounted to his face; there was a flush over
the high projecting cheek-bones. He could feel the warm blood behind his
eyes. He laughed aloud; he was a laughing lion. He stretched out his
arms; he was enormous, his arms reached out like the branches of a
cedar. The Artist walked across the world and the mangy dogs ran yelping
and snapping behind him. The great wind blew and blew, driving him on;
it lifted him and he began to fly.
Mrs. Viveash listened. It didn’t look as though he would get much
further with the portrait.
CHAPTER VII
It was Press Day. The critics had begun to arrive; Mr. Albemarle
circulated among them with a ducal amiability. The young assistant
hovered vaguely about, straining to hear what the great men had to say
and trying to pretend that he wasn’t eavesdropping. Lypiatt’s pictures
hung on the walls, and Lypiatt’s catalogue, thick with its preface and
its explanatory notes, was in all hands.
“Very strong,” Mr. Albemarle kept repeating, “very strong indeed!” It
was his password for the day.
Little Mr. Clew, who represented the _Daily Post_, was inclined to be
enthusiastic. “How well he writes!” he said to Mr. Albemarle, looking up
from the catalogue. “And how well he paints! What _impasto_.”
_Impasto, impasto_—the young assistant sidled off unobtrusively to the
desk and made a note of it. He would look the word up in Grubb’s
_Dictionary of Art and Artists_ later on. He made his way back,
circuitously and as though by accident, into Mr. Clew’s neighbourhood.
Public-domain text, read in full here on John Shaqi.
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