Antigua and the Antiguans, Volume 1 (of 2): A full account of the colony and its inhabitants from the time of the Caribs to the present dayLanaghan, Mrs.
History
Antigua and the Antiguans, Volume 1 (of 2): A full account of the colony and its inhabitants from the time of the Caribs to the present day
Lanaghan, Mrs.
Antigua -- Description and travel; Antigua -- History
At the entrance of the east gate is a mural stone monument,
erected to the memory of James Cullen, by his brother Robert
Cullen. This monument is pointed out to strangers on account of
the peculiarity of its form, with the assertion that the person
who built the church is buried there, and that the coffin is
obliged to stand in a perpendicular position. This, however, is
not correct; the monument certainly stands there, but the place
where the body is entombed is 23 feet further to the west; and
instead of being raised to the memory of the architect of the
church, that individual erected it to perpetuate the memory of
his brother. This fact is engraven upon the monument; but so
unexploring are the Antiguans in general, that I think but few of
the inhabitants are aware of the real truth, but still think the
coffin stands upright.
This strange practice of putting up the grave-stone at a distance
from the grave is not the only instance of the kind to be met in
the churchyard of St. John’s. At one of the west gates lies a
stone slab, to the memory of the late organist; and upon reading
the inscription, I supposed that the body reposed beneath. But
not so: that lies far away, with “not a stone to mark the place.”
Upon asking a pew-opener the reason for placing the slab in that
situation, his reply was, “It does so nicely, you know, for the
people to walk on, and looks well.”
The churchyard is entered by five iron gates, of handsome
patterns. At the north, a flight of stone steps leads up to the
church, while from the south gate, the building is approached by
an easy and gradual ascent, paved with brick. The pillars of the
south gate are surmounted by stone figures, representing St. John
the Baptist, and St. John the Evangelist. These figures were
intended to receive the vows of the good catholics at Dominica;
but as it happened to be war time, when they took their departure
from “_la belle France_,” on their passage they fell in with an
English man-of-war, who most unceremoniously took them into
keeping, and brought them to Antigua; where, by universal
consent, they were placed as sentinels in their present position,
instead of being decked out in gold and silver leaf, and mock
jewels. The negroes, however, refuse to recognise them by their
own titles, but have unanimously dubbed them “Adam and Eve”—the
Baptist, I suppose, playing the part of the lady, as his garments
are longer and more voluminous than those of his companion.
------
[71] See Chapter XX.
[72] A descendant of Sir Thomas Warner, who planted the first
English colony in Antigua.
[73] This strangely-worded inscription is copied verbatim.
[74] Slightly altered from Young’s “Night Thoughts.”
[75] Young’s “Night Thoughts,” Night 7th.
[76] To the organ is attached a choir, composed of the boys and
girls from the parochial school.
[77] From this John Delap Halliday descends the present Admiral
Tollemache—viz.—
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account