Antigua and the Antiguans, Volume 1 (of 2): A full account of the colony and its inhabitants from the time of the Caribs to the present dayLanaghan, Mrs.
History
Antigua and the Antiguans, Volume 1 (of 2): A full account of the colony and its inhabitants from the time of the Caribs to the present day
Lanaghan, Mrs.
Antigua -- Description and travel; Antigua -- History
another world, must have numbered her hundredth year. Her face,
which had lost its naturally black hue from age and sickness, was
puckered up in a thousand wrinkles; while her toothless gums were
seen through her thick open lips. The few hairs which time had
left her were bleached to a snowy white; but her black eyes had
lost none of their brightness: they gleamed from beneath her
overhanging brow with a supernatural ray. Her form was bent
almost double, and the skin hung about her hands and arms like
black and shrivelled parchment. An old blanket partly covered her
attenuated person, which she firmly grasped with her long bony
fingers; but it afforded her no defence against the inclemency of
the evening; for she shivered and trembled at every blast. Such
was Morah, the old Obeah woman,[46] who was hated, yet dreaded,
by nearly all her tribe.
“Morah,” said the leader of the band, after she had rested for a
few minutes, “Morah, dost thou not know me? hast thou forgot the
purpose for which we have met? The time is short, remember.”
“Oh, no, no! me no forget,” said the old crone; “me know you very
well; you’re ‘Count,’ the negro king, as you call yourself, but
your massa call you ‘Count the Runaway,’” and she laughed
demoniacally.
“Call me Klaas,” shrieked the negro; “oh! call me not Count—the
name of my servitude—the name those detested whites gave me when,
torn from all my heart holds dear, and forced into their ships,
they brought me to this country, and sold me, for a miserable
pittance, to the man I despise—the man who, for a small fault,
had me flogged until the blood gushed down my back. Yes! flogged
_me_, who was born heir to a kingdom, and who followed the chase
in my own bright land, free as the zephyr which kisses its sunny
mountains, until the fortunes of war made me the despised,
degraded slave I am. Call me not ‘Count,’ I say; for every misery
I have ever borne is recalled by that hated name. Why was it I
spurned poor Nuno from me, and embittered her after life?
Because, in a moment of repose—when the weary toil of the day was
over—seated before our hut in the bright moonbeam, I talked to
her of Africa, and of my hopes of soon escaping from my degraded
state, she raised the demon within me by calling me ‘Count,’ when
I had taught her to use no other name but ‘Klaas;’ and thus
bringing all my wrongs before me, I vowed to sacrifice our child
to the gods of my country should its eyes ever see the light. Oh,
then, call me not ‘Count’ in this wild ravine, where everything
breathes an air of freedom, although I am obliged to bear it (but
not for long, I hope) before the abhorred Christians. Oh! call me
not ‘Count.’ unless—” and he flung his arms on high, while his
eyeballs rolled in fire, and every nerve quivered with emotion—
“unless you wish to see me, like the hunted lanté turn on all
alike. But enough;”—and by strong effort he mastered his
turbulent passions, although the perspiration flowed from off his
Public-domain text, read in full here on John Shaqi.
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