Antigua and the Antiguans, Volume 2 (of 2): A full account of the colony and its inhabitants from the time of the Caribs to the present dayLanaghan, Mrs.
History
Antigua and the Antiguans, Volume 2 (of 2): A full account of the colony and its inhabitants from the time of the Caribs to the present day
Lanaghan, Mrs.
Antigua -- Description and travel; Antigua -- History
We have now to mention the amusements of the negroes, and their
conduct in their hours of recreation. The blacks have a
remarkable ear for music, and consequently are particularly fond
of singing. Indeed, they can hardly do anything without “forming
their voice to melody.” The sailors, when heaving an anchor, have
a peculiar song which they sing in chorus, pulling the cable at
the same time. When moving their houses, (which it is customary
to do in this part of the world,[28]) another ditty is requisite;
and even if you get them to lift any article which obliges them
to use a little exertion, a song must accompany the action. Most
of these songs are extempore, and are sung to some favourite
tune, the poetry being generally a species of parody, or else a
ludicrous composition upon some person who may have attracted
their attention, either by a peculiarity in dress or manners; and
it is surprising how soon the whole tribe learn it. Some negroes
have a clear, sweet, and powerful voice, while others again
resemble the screech of a pair of bagpipes, or give the idea of a
parrot warbling an Italian air. The black boys are nearly all
good whistlers, and some of them will go through, with
correctness, many of our best airs, with variations. They are
also great psalm-singers, the streets often resounding with this
peculiar species of harmony.
Next to singing, their favourite pastime is, to “trip the light
fantastic toe,” and at this sport they are indefatigable. These
dancing parties are differently conducted; at some are danced
quadrilles! (I am not aware if the gallopades and Mazurka have
found their way into these _coteries_ at present, but as all
negroes are great sticklers for fashion, I suppose they have,) at
others only country dances and reels are introduced; while the
Africans are content with their own native dance, and their music
of the _Bangoe_ and _Tum-tum_. Christmas is the principal season
for these assemblies, although there are subscription balls held
once or twice a week in some of the small houses at the back of
the town. These meetings may be very agreeable to the negroes,
but they are anything but agreeable to those unfortunates who may
chance to inhabit houses in the vicinity. Little or no sleep will
visit their eyes upon those nights dedicated to gay Terpsichore,
and they may be led to misquote Shakspeare, and say, “_Dancing_
murders sleep.” The music generally consists of a squeaking
fiddle, a tamborine, (upon which they have a peculiar way of
performing,) and a triangle, played without any regard to time or
melody. The worst characters frequent these houses, and the
refreshments are always levied by contributions upon the public.
Public-domain text, read in full here on John Shaqi.
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