The blank darkness around him appeared, after an interval, to be
gradually dawning into a dull light, thick and misty, like the
reflections on clouds which threaten a thunderstorm at the close of
evening. Soon, this atmosphere seemed to be crossed and streaked with
a fantastic trellis-work of white, seething vapour. Then the mass of
brick-work which had struck him down, grew visible at his side,
enlarged to an enormous bulk, and endued with a power of self-motion,
by which it mysteriously swelled and shrank, and raised and depressed
itself, without quitting for a moment its position near him. And then,
from its dark and toiling surface there rose a long stream of dusky
shapes, which twined themselves about the misty trellis-work above, and
took the prominent and palpable form of human countenances, marked by
every difference of age and distorted by every variety of suffering.
There were infantine faces, wreathed about with grave-worms that hung
round them like locks of filthy hair; aged faces, dabbled with gore and
slashed with wounds; youthful faces, seamed with livid channels, along
which ran unceasing tears; lovely faces, distorted into fixed
expressions of raging pain, wild malignity, and despairing gloom. Not
one of these countenances exactly resembled the other. Each was
distinguished by a revolting character of its own. Yet, however
deformed might be their other features, the eyes of all were preserved
unimpaired. Speechless and bodiless, they floated in unceasing myriads
up to the fantastic trellis-work, which seemed to swell its wild
proportions to receive them. There they clustered, in their goblin
amphitheatre, and fixed and silently they all glared down, without one
exception, on the Pagan's face!
Public-domain text, read in full here on John Shaqi.
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