There was no fury--no defiance--not even the passing distortion of
physical suffering in his features, as he now looked on her. Blank,
rigid horror--tearless, voiceless, helpless despair, seemed to have
petrified the expression of his face into an everlasting form,
unyouthful and unhopeful--as if he had been imprisoned from his
childhood, and a voice was now taunting him with the pleasures of
liberty, from a grating in his dungeon walls. Not even when Antonina,
recovering from her first agony of terror, pressed her convulsive
kisses on his cold cheek, entreating him to look on her, did he turn
his head, or remove his eyes from Goisvintha's form.
At length the deep steady accents of the woman's voice were heard
through the desolate silence.
'Traitor in word and thought you may be yet, but traitor in deed you
never more shall be!' she began, pointing to his hands with her knife.
'Those hands, that have protected a Roman life, shall never grasp a
Roman sword, shall never pollute again by their touch a Gothic weapon!
I remembered, as I watched you in the darkness, how the women of my
race once punished their recreant warriors when they fled to them from
a defeat. So have I punished you! The arm that served not the cause
of sister and sister's children--of king and king's nation--shall serve
no other! I am half avenged of the murders at Aquileia, now that I am
avenged on you! Go, fly with the Roman you have chosen to the city of
her people! Your life as a warrior is at an end!'
He made her no answer. There are emotions, the last of a life, which
tear back from nature the strongest barriers that custom raises to
repress her, which betray the lurking existence of the first rude
social feeling of the primeval days of a great nation, in the breasts
of their most distant descendants, however widely their acquirements,
their prosperities, or their changes may seem to have morally separated
them from their ancestors of old. Such were the emotions now awakened
in the heart of the Goth. His Christianity, his love, his knowledge of
high aims, and his experience of new ideas, sank and deserted him, as
though he had never known them. He thought on his mutilated hands, and
no other spirit moved within him, but the ancient Gothic spirit of
centuries back; the inspiration of his nation's early Northern songs
and early Northern achievements--the renown of courage and the
supremacy of strength.
Public-domain text, read in full here on John Shaqi.
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