For some time before the disclosure of the corpse, the hunchback had
been seated apart at the end of the banqueting-hall opposite the
black-curtained recess, conning over the manuscript containing the list
of questions and answers which formed the impious dialogue he was to
hold, by the aid of his powers of ventriloquism, with the violated
dead. When the curtain was withdrawn he had looked up for a moment,
and had greeted the appearance of the sight behind it with a laugh of
brutal derision, returning immediately to the study of his blasphemous
formulary which had been confided to his care. At the moment when
Vetranio's commands were addressed to him he arose, reeled down the
apartment towards the corpse, and, opening the dialogue as he
approached it, began in loud jeering tones: 'Speak, miserable relict
of decrepit mortality!'
He paused as he uttered the last word, and gaining a point of view from
which the light of the lamp fell full upon the solemn and stony
features of the corpse, looked up defiantly at it. In an instant a
frightful change passed over him, the manuscript dropped from his hand,
his deformed frame shrank and tottered, a shrill cry of recognition
burst from his lips, more like the yell of a wild beast than the voice
of a man.
The next moment, when the guests started up to question or deride him,
he turned slowly and faced them. Desperate and drunken as they were,
his look awed them into utter silence. His face was deathlike in hue,
as the face of the corpse above him--thick drops of perspiration
trickled down it like rain--his dry glaring eyes wandered fiercely over
the startled countenances before him, and, as he extended towards them
his clenched hands, he muttered in a deep gasping whisper: 'Who has
done this? MY MOTHER! MY MOTHER!'
As these few words--of awful import though of simple form--fell upon
the ears of those whom he addressed, such of them as were not already
sunk in insensibility looked round on each other almost sobered for the
moment, and all speechless alike. Not even the clash of the wine-cups
was now heard at the banqueting-table--nothing was audible but the
sound, still fitfully rising and falling, of the voices of terror,
ribaldry, and anguish from the street; and the hoarse convulsive
accents of the hunchback, still uttering at intervals his fearful
identification of the dead body above him: 'MY MOTHER! MY MOTHER!'
Public-domain text, read in full here on John Shaqi.
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