A smile of malignant triumph parted Vetranio's lips as he now arose and
extinguished the last lamp burning besides his own. That done, he
grasped the torch. His eyes, as he raised it, wandered dreamily over
the array of his treasures, and the forms of his dead or insensible
fellow-patricians around him, to be consumed by his act in annihilating
fire. The sensation of his solemn night-solitude in his fated palace
began to work in vivid and varying impressions on his mind, which was
partially recovering some portion of its wonted acuteness, under the
bodily reaction now produced in him by the very extravagance of the
night's excess. His memory began to retrace confusedly the scenes with
which the dwelling that he was about to destroy had been connected at
distant or at recent periods. At one moment the pomp of former
banquets, the jovial congregation of guests since departed or dead,
revived before him; at another, he seemed to be acting over again his
secret departure from his dwelling on the night before his last feast,
his stealthy return with the corpse that he had dragged from the
street, his toil in setting it up in mockery behind the black curtain,
and inventing the dialogue to be spoken before it by the hunchback.
Now his thoughts reverted to the minutest circumstances of the
confusion and dismay among the members of his household when the first
extremities of the famine began to be felt in the city; and now,
without visible connection or cause, they turned suddenly to the
morning when he had hurried through the most solitary paths in his
grounds to meet the betrayer Ulpius at Numerian's garden gate. Once
more the image of Antonina--so often present to his imagination since
the original was lost to his eyes--grew palpable before him. He
thought of her, as listening at his knees to the sound of his lute; as
awakening, bewildered and terrified, in his arms; as flying
distractedly before her father's wrath; as now too surely lying dead,
in her beauty and her innocence, amid the thousand victims of the
famine and the plague.
These and other reflections, while they crowded in whirlwind rapidity
on his mind, wrought no alteration in the deadly purpose which they
suspended. His delay in lighting the torch was the unconscious delay
of the suicide, secure in his resolution ere he lifts the poison to his
lips--when life rises before him as a thing that is past, and he stands
for one tremendous moment in the dark gap between the present and the
future--no more the pilgrim of Time--not yet the inheritor of Eternity!
Public-domain text, read in full here on John Shaqi.
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