Man-woman relationships -- Fiction; Monks -- Fiction; Portugal -- History -- 1826-1853 -- Fiction; Wine and wine making -- Fiction
Clouds from the south-west were mounting higher, but the moon still
shone brilliantly. Under the trees a lazy guitarist went on
strumming his thin, moonlight music, as crisp as hoar-frost and
tinkling like icicles. Whenever the pot was flung high, fifty bright
eyes saw, up above it, the planets and the stars; but the players
were too young and too happy to moralize. In their unstudied
attitudes they made up a picture full of rhythmic grace.
Four times the pot hurtled its way to José; and four times he caught
it before it touched the ground. At the fourth catch, he turned it
like lightning to Emilio; and Emilio spun it slowly and gracefully
into the hands of Margarida.
Margarida paused, clasping the red clay in fingers which were less
slender than Rosalina Saldanha's, but whiter. Every eye was fixed
upon her. She knew that she ought to toss the bowl to one of her
brothers, or to a young woman, or to one of the older men. But an
irresistible impulse moved her another way; and, with glowing cheeks
and radiant eyes, she sent it curving across the space which
separated her from Antonio.
Had it dashed like a stone from the catapult-hand of José or flashed
like a meteor from the palm of Emilio the monk could have caught the
pot. But Margarida's action took him unawares. What was he to do?
When the pot was in his hand, how was he to treat her public act of
favor? If he should--
His thinking was over in a flash; but it was too late. He plunged at
the pot clumsily and missed his catch. The pot struck the hard floor
and broke into a hundred pieces.
As a rule the smashing of the pot was the signal for a burst of
mocking merriment. But instead of a light-hearted uproar there was
an awe-struck silence. Everybody seemed to recoil from a sinister
omen. Two more pots stood on a log, in readiness for the second and
third rounds of the game; but no one stirred a step to fetch them.
Antonio's gaze involuntarily followed the general movement and rested
on the face of Margarida. The glow was gone from her cheeks, the
light from her eyes. Very pale, she turned away.
A weak gust of wind rattled two or three dead leaves across the
threshing-floor and a few cold drops fell from the darkening sky.
"The lamps are lighted in the barn," cried the voice of Senhor Jorge.
"Come in, all of you, before the rain."
VII
Senhor Jorge's lamps were not as bright as full moons. Their smoky
flames lit up the vast barn so feebly that candles had to be set at
the elbows of the knitters and stitchers and spinners. The
spattering of the rain against the dusty windows made a dreariful
sound.
Public-domain text, read in full here on John Shaqi.
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