Man-woman relationships -- Fiction; Monks -- Fiction; Portugal -- History -- 1826-1853 -- Fiction; Wine and wine making -- Fiction
He walked away and sat down in his old stall. Young Crowberry moved
slowly to the white marble doorpost set in the blue midst of the
azulejos and leaned against it, with his head bowed. At the end of
five minutes he strode boldly up to the sanctuary rails and said:
"I will help."
Footsteps resounded in the cloister, and, a few seconds later, Mr.
Crowberry and Sir Percy appeared, talking loudly. They kept their
hats on their heads and their cigars in their mouths. The baronet,
who carried a glazed jar, was so intent on his operations that he
forgot to greet the monk.
"Well?" asked Mr. Crowberry, sidling close to Antonio. "You've
turned up? And you've come to your senses?"
"From your point of view, my answer is No," said the monk. "I have
not come to my senses. Has Sir Percy come to his? Does he still
persist in removing what isn't his own?"
"He persists," said Mr. Crowberry. "And I can't blame him. If he
doesn't steal the stuff, somebody else will. Now take my advice.
Don't be an ass. Ten minutes ago, up at the house, Sir Percy nearly
blew his daughter's head off for suggesting that the azulejos should
be left alone. They've got to come down. Give him a lift and you
can make your own terms about the lease of the vineyards. Cross him,
and you will lose the vineyards--and the azulejos'll come down all
the same."
"Hallo, you've come!" bawled out Sir Percy to Antonio. "We've been
waiting for you all day. Hurry up and look at my saw."
The monk stepped forward.
The frame of the circular saw was ingeniously secured to the face of
the azulejos by means of leather suckers, such as boys play with
among cobble-stones. This simple and portable device served its
purpose without doing the tiles the smallest harm. The saw itself
had a gear which caused it to descend in the frame as the teeth cut
their way downward. Mounting the short ladder at Sir Percy's
bidding, Antonio saw that a groove had been chiseled in the cement
and that it was filled with an evil-smelling mixture of acids.
"First, we took off that white stone," explained Sir Percy, pointing
to the marble cornice. "D'ye see? Then we cut out this channel.
D'ye see? Mark the principle. The great thing is, not to try and
get the azulejos off the cement, but to get the cement, azulejos, and
all, off the wall. D'ye see? It doesn't matter how rough we are
with the front of the wall and the back of the cement, so long as we
don't crack the tile. That's the principle. D'ye see? Now, pour in
a pint or so of this."
"You'll do it better yourself," said Antonio, descending the ladder.
Sir Percy promptly climbed up and poured out another acid from his
stone jar.
Public-domain text, read in full here on John Shaqi.
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