Man-woman relationships -- Fiction; Monks -- Fiction; Portugal -- History -- 1826-1853 -- Fiction; Wine and wine making -- Fiction
"It is terrible indeed," answered Antonio, smiling. "At half-past
two you make me a promise, and at half-past six you break it. Come,
remember. Cheer up."
They walked beside him with downcast eyes.
"Come," he said again. "This will never do. Tell me. Does Donna
Margarida know what you have been passing through?"
"Thank God, she does not, and she never shall!" cried Theophilo.
"Very well. Let us go to your home and hear some music and be gay.
I'm a country booby, and when I visit the town I want to see some
life. It is dull in the inn."
Theophilo became voluble in apologies for his negligence. He
despatched one of the stable-boys hot-foot to warn the Senhora of
their approach and followed with Antonio and Luis. In ten minutes
they reached a garish new house, faced all over with colored tiles.
Margarida received her old flame with slight chilliness. Although
she had turned thirty-five her good looks were not greatly
diminished. With her sat Perpetua, Jorge, Lucia, and Juliana, her
four black-eyed children, who were struck dumb by the advent of the
handsome stranger. At first the proceedings were dull and frigid
enough to remind Antonio of his first visit to Margarida's home. But
Luis and Theophilo, in reaction from their days of stress and terror,
soon became almost hysterically gay. The guitars came out; and when
everyone was tired of singing and strumming _fados_ Antonio devoted
himself to the little Jorge and his three tongue-tied sisters. He
gradually wooed them out of their shyness by telling them a tale of
the buried city of Troja, at the mouth of the Sado. By the time he
was half through a revised version of the Three Hunchbacks of Setubal
the audience had begun to be more tongue-free than himself; and when
he made Perpetua hold the candle so that his clenched left fist and
his right-hand fingers and knuckles threw upon the wall a shadow of a
long-eared rabbit nibbling a cabbage as big as itself, the house rang
with shouts of laughter.
The children were sent to bed at nine, wailing bitterly at their
banishment. Theophilo took the guitar and played softly, so as not
to keep them awake. He had a sympathetic touch and his music soothed
Antonio. Sitting in a great chair, the monk looked round the room
and wondered. His conto of reis had gone. In forty hours it would
be too late to pay the attorney, and the usurers could be trusted so
to foreclose the mortgage as to swindle him out of nearly all he had.
Yet, somehow, he was happier than he had been for many a day. For a
short while he asked himself if it were not callous to gaze so calmly
at the wreck of his life's work. Ought he not to be aching and
smarting and bleeding as he had ached and smarted and bled for
Isabel? Did he truly care as deeply for the abbey and for the Order
as he had cared for her?
Public-domain text, read in full here on John Shaqi.
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