Man-woman relationships -- Fiction; Monks -- Fiction; Portugal -- History -- 1826-1853 -- Fiction; Wine and wine making -- Fiction
Strangely enough, the whole family appeared to regard the ensuing
silence as a thing altogether natural and seemly, like a silence in
church. When it had lasted long enough, Donna Perpetua arose from
her chair in a curiously formal manner, and, going to one of the side
doors, called out, "Margarida!" But the monk, although he was
vaguely conscious that the others were preoccupied and constrained,
still suspected nothing.
The door opened, and Margarida Clara Maria dos Santos Rebolla came
forward into the meager light. Antonia recognized her at once as a
damsel he had often seen kneeling on the church floor in the front
row of women. So far as his thoughts had ever engaged themselves
with her, she had interested him by her dark eyes and by the country
bloom on her olive skin. He remembered how, that very morning, she
had pleasantly filled in the picture of rustic piety.
Antonio rose as she entered. He saw that her head was rather less
attractive without the black lace mantilla she always wore in church.
Her face was a little too broad and her abundant hair was braided too
tightly. But, to make up for the mantilla, Margarida had adorned her
person with unfamiliar splendors. Of her fine lawn camisole only the
snowy sleeves could be seen. The rest was hidden by an over-bodice
richly embroidered in many-colored wools. Her ample apron was even
more magnificent than the bodice. Its bold stripes, triangles,
circles, stars and crosses stood out nearly a quarter of an inch from
the velvet ground in wools of blue, orange, vermilion and green. The
full skirt, rather short, revealed a pair of serviceable ankles.
Margarida's ribbed stockings were white, and there was more
embroidery on her velvet slippers. But the maiden's chief glory was
her jewelry. Heart-shaped filigree ear-rings, of gold purer than an
English sovereign, hung from her ears. These hearts were fully two
inches long. Her three golden necklaces sustained two more filigree
hearts, each as long as her longest finger, and a solid gold cross
set with colored stones. The greater part of her belt was also built
up from traceried squares and circles of pure gold.
The monk feared that he had gazed too long and curiously either at
these gorgeous trappings or at their wearer: for Margarida suddenly
blushed crimson from her topmost necklace to the roots of her black
hair. Donna Perpetua pronounced a formula of introduction; but,
overwhelmed by maidenly confusion, Margarida said nothing in answer
to Antonio's few words. She fled to her mother's chair and huddled
on a stool beside her.
Public-domain text, read in full here on John Shaqi.
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